2023年09月02日 22-23赛季德甲 多特蒙德VS海登海姆

比利·林恩的中场战事(双语字幕版)

伊拉克战争时期，来自美国德州的19岁技术兵比利·林恩（乔·阿尔文 Joe Alwyn 饰）因为一段偶然拍摄的视频而家喻户晓。那是一次规模不大却激烈非常的遭遇战，战斗中林恩所在的B班班长（范·迪塞尔 Vin Diesel 饰）遭到当地武装分子的伏击和劫持，而林恩为了营救班长不惜铤而走险冲锋陷阵。视频公布于世让他成为全美民众所崇拜的英雄，然而却鲜有人理解他和战友们所经历的一切。为了安葬班长，B班得到了短暂的休假，因此他们得以受邀参加一场在德州举行的橄榄球比赛。林恩的姐姐因某事件深感愧疚，她希望弟弟能借此机缘回归普通生活。而周围的经纪人、球迷、大老板、普通民众则对战争、卫国、士兵有着各种各样想当然的理解。球场上的庆典盛大开幕，林恩和战友们的心却愈加沉重与焦躁…… 　　本片根据作家本·方丹（Ben Fountain）的同名小说改编。

抽烟喝酒的真天使#天使不设防

故事发生在爱荷华州，传说一位天使（约翰·特拉沃尔塔JohnTravolta饰）降临在了此处。昆兰（威廉·赫特WilliamHurt饰）是一名报社记者，得知这一消息，他立刻自告奋勇毛遂自荐，想要到那里进行调查和采访，期望获得珍贵的第一手消息。然而，昆兰的老板却并不信任这个常常惹出麻烦的员工，他派出了多萝西（安迪·麦克道威尔AndieMacDowell饰）和昆兰同行。一行人抵达了目的地，可出现在他们眼前的却并非他们想象中圣洁严肃的天使，而是一个玩世不恭放浪形骸烟酒具沾的花花公子。就在众人以为这一切都只是一个骗局之时，这位花花公子却展现出了令人震惊的神力。

瓶装火箭

梦想成为了不起的罪犯的迪格南（欧文•威尔逊OwenWilson饰）找来刚结束了精神病院治疗生活的好友安东尼（卢克•威尔逊LukeWilson饰），以及能够充当司机的大麻爱好者鲍勃（RobertMusgrave饰）组成了一个仓促上马的犯罪团伙。先用偷窃安东尼家来热身的这伙准罪犯们苦练枪法、设计路线，终于成功打劫了一家书店，兴高采烈进入罪犯行列的迪格南等人驾车逃窜，躲入了一家汽车旅馆，安东尼对旅馆的乌拉圭女服务员一见钟情，而鲍勃却因自己兄弟入狱的消息心神不定。在安东尼和服务员的恋情如火如荼之时，鲍勃丢下二人返家，迪格南和安东尼也终于散伙，各自回归了平静生活。然而迪格南仍然没有放弃犯罪之梦，他向自己的偶像——黑道人物亨利求助……

留守姐妹

出品单位:安徽影业有限责任公司影片是一部全面描写留守妇女生活的情感电影，以轻松诙谐的笔调揭示了在社会主义核心价值体系建设过程中，农村留守妇女夫妻之间、婆媳之间、邻里之间的伦理关系变化和矛盾冲突……

网络惊梦

慧儿是一家投资公司的职员，男朋友谢旷一直梦想着哪天发达以后，再轰轰烈烈地娶她做自己的新娘。他正和几个学弟一起，想把他们建起的谢多网站推上市。广美贸易的女老板陈总结识谢旷后，决定投资他的网站，并与他合作推出网络新股。新来的老总金大和被慧儿出众的美貌和能力所折服，不仅升任她为证券投资部经理，而且还不断地表达着对她的爱慕之情。可慧儿一心只爱着谢旷，同时也时刻关注着网络新股的业绩。随着股市的下跌，上市后一路飚升的网络新股也暴露出暗盘抄作的内幕，就在愤怒的股民找上门来时，广美的陈总却不辞而别、不知去向。面对即将前去自首并将受到法律制裁的谢旷和对自己真心实意、穷追不舍的金总，慧儿陷入了两难的情感抉择。

安珀·布朗 第一季

“Amber Brown” is an unfiltered look at a girl finding her own voice through art and music in the wake of her parents’ divorce. The series will star Carsyn Rose (“The Rookie,” “Cousins for Life”) as Amber Brown, an everykid who is going through what many children experience, and making sense of her new family dynamic through her sketches and video diary. Sarah Drew (“Grey’s Anat...

盲目的丈夫们

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

平凡主妇的白日不伦

剩女脱单记

离婚后的郝杨选择创业，开设了一个圣女培训班。她立志要把当今社会,越来越多想找到好婆家的剩女们,通过一定培训找到自己满意的归宿。

理发店的笑声

剧由《威尔与格蕾丝》（Will & Grace）的创作人David Kohan和Max Mutchnick开发，Ashley Tisdale、Mike Castle、Lauren Lapkus、Ryan Pinkston、Matt Cook和George Wendt主演。故事发生在马萨诸塞州的查尔斯顿，一群年轻人高中毕业后各奔东西，走上了完全不同的人生道路。命运让他们重新聚到一起——他们先后都来到当地一家理发店打工。虽然他们梦想到大城市去闯荡，但目前他们的工作、生活、爱情和一切喜怒哀乐都在自己出生并长大的这座小镇上。曾经的失败者Ben（Ryan Pinkston）最近买下了这家理发店，成了许多老同学的「老板」。他十分贪婪，总想从生意中赚取最大利润。他不怕对自己的老同学们颐指气使，因为他认为自己是个「技艺娴熟」的操纵大师，他们都会乖乖地听他的摆布……可...

灵兽

在遥远的部族里，豢养着一只来自雪啼山的灵兽，妖人黄皮子得知后带人前来抢夺，不料在众人恶战之时，灵兽趁机逃脱，黄皮子和部族女战士完颜槿为追灵兽来到钦天城。完颜槿意外结识少年吴恙，并擦出爱情的火花，吴恙为帮助完颜槿，决定一起对付黄皮子，奈何黄皮子法力高强，二人连带吴恙二叔和灵兽一起被黄皮子逼上雪啼山，只因黄皮子想要探寻雪啼山上传说中的“天外飞石”，可就在黄皮子得手之际，乖巧可爱的灵兽霎时变成一只凶猛的大雪妖向黄皮子发动攻击，大战过后吴恙等人取得胜利，拖着疲惫的身躯回到钦天城，也自此后开始守护钦天城的安危，续写下一个个史诗般的传奇故事。