幽灵肖像

《幽灵肖像》是一场穿越时间、声音、建筑和影像的多维旅程。影片的背景是巴西伯南布哥州的州府累西腓。这是一座历史文化名城，在20世纪，城里的电影院曾经是无数人的欢乐殿堂。它们承载着梦想与进步，也纪录下社会实践的重大变迁。《幽灵肖像》结合历史影像资料、传说、电影片段和个人记忆，以电影的镜头谱绘出城市的图景。

2023年10月09日 中甲联赛 辽宁沈阳城市vs上海嘉定汇龙

天国的阶梯

诚俊（权相佑饰）是韩国一家大企业董事长的儿子，从小爱好音乐、被大家成为钢琴音乐神童。成俊的母亲与著名教授韩教授是好友，两家经常往来，因此成俊和韩教授的独生女静书（崔智友饰）就在一起青梅竹马的长大了，两人早已埋有一种深深的情愫。韩教授的妻子早逝，在静书长大后，他又迎娶了女明星美罗，美罗带来了和前夫所生的一对儿女泰华（申铉俊饰）和友莉（金泰熙饰），从此静书的幸福生活结束了。恶毒的美罗和友莉处处为难静书，并阴谋从静书身边将成俊抢走。她们先是千方百计破坏了成俊和静书一起到美国的计划，随后为了让回国后的成俊见不到静书，友莉竟然用车撞向静书！之后她们营造了静书已经去世的假象，并在美罗的心计下，友莉顺利成为了成俊的未婚妻。车祸后的静书失去了所有的记忆，善良的泰华将她带回了自己亲生父亲的家生活。一日，成俊偶然重遇了静书，虽然失忆了的静书对眼前这个男人一无所知，但她却被他的深情打动了。一直深爱静书的泰华这时选择了默默离开，而成俊终于能和静书走在一起了！然而这时，意外发生了！

七省拳王

少年顾汝章幼承庭训，练得一手好拳脚，家传绝招“铁沙掌”是以好打不平。一次，汝章错手将豪门督军之子段三少杀死，顾父闻悉，故意将汝章逐出家门，亡命天涯，才能得以保存性命。途中遇盗，汝章再次错手杀死劫匪沈老黑，并受其托回乡探其妻女，汝章得知沈家贫困，故假称欠沈老黑债务并愿留乡中工作抵债。正巧当地举行七省拳王竞赛，需搭建擂台，汝章前往工作。 工作时，其认识一当地好手韦七，韦知汝章暗藏武功，技非等闲，故劝其参赛，但汝章不愿违背严父之训话，不愿多事。当地恶霸钱世仁为夺取拳王宝座，杀死韦七及阿花父女，汝章忍无可忍终替韦七出赛，夺得七省拳王宝座。钱与其妹怀恨在心，截杀汝章，汝章被迫使出铁沙掌，将钱氏兄妹杀死，继续流浪天涯。

魔兽战场

西元709年，外星人凯坦（James Caviezel 饰）驾驶的飞船坠毁在挪威境内，同伴重伤死亡，飞船损毁，沉入湖底。凯坦凭借随身携带的先进机器掌握了地球的知识和当地的语言，在森林内游荡之际，他遇到了维京人乌弗里克（Jack Huston 杰克•休斯顿 饰），并随之回到了村庄。 　　凯坦告诉维京人自己正在寻找一头“恶龙”，而这条恶龙正是他飞船上的一只怪兽，因飞船坠毁逃遁。维京人起初认为凯坦是个说大话的骗子，但随着村民一个个离奇消失，他们才发现所谓的“恶龙”真的存在……

俘虏国度

影片讲述在地球已被外星人占领了10年之后的芝加哥市区，一股反抗势力异军突起，与服从派的政府势力产生了不可调和的矛盾，一场战斗由此而生。《俘虏国度》由焦点影业出品，将于3月29日在北美上映。

疯狂的契约

事业有成的男主角彦彬被诊断出不治之症，突如其来的噩耗让他对自己的人生产生了怀疑，一场酒局后，彦彬发现自己和兄弟莫名身处渺无人烟的荒原，在赶回手术台路上发生的一系列奇葩爆笑的故事。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

不能授勋的英雄

朝鲜解放战争时期，代号东百花的地下工作者担任敌方法院的检查官，她机智勇敢获得准确情报，指挥我军顺利完成重大工事爆破任务，而她却无法接受应得的勋章，继续战争在敌人心脏。

地狱的女朋友

女演员加藤罗莎久违8年将主演10月25开始配信播出的FOD电视连续剧「地狱的女朋友」。本剧以鸟饲茜在FEEL YOUNG上连载的同名漫画为基础，赤裸裸地描绘了20代到30代的女性的烦恼。 　　经过结婚和生育，在本作中实现电视剧复归的加藤，将饰演离过一次婚的单亲妈妈·岛田加南。单身且做事认真的OL·首藤悠里由武田梨奈出演，颇受欢迎的美人珠宝设计师·出口奈央由樱井由纪出演。在剧中，无法收拾的奈央将自己的家改成合租屋，让抱有各自情况的加南和悠里入住，故事由此展开。此外，奈央的共同经营者·鹿谷由猪塚健太出演，柔道整复师·石原由上村海成出演。

独狼

电视剧独狼是由小说《冷枪》改编而来，讲述的是南京陷落后至徐州会战前四十余天的时间内，在重重炮火硝烟的背后，中日两支特种小分队之间惊心动魄、你死我活的一场“潜伏”较量和生死对决的故事。

锅匠，裁缝，士兵，间谍

冷战时，全球两大特工组织—俄罗斯“中心”与英国“圆场”明争暗斗。特工遇害。怀疑对象共有5人，即圆场上任老总命名的锅匠，裁缝，士兵，穷人，乞丐。金盆洗手的乞丐史迈利重新出山，负责挖出地鼠。于是，史迈利开始分别走访故人，调查圆场老大阿勒莱恩，裁缝-比尔，士兵-掌管东欧事务的资深间谍罗埃，穷人-后勤部门点路灯组组长托比。一时间，圆场疑云密布，人人自危，究竟谁才是地鼠