《校花的贴身高手3》即《校花的贴身高手第三季》，是根据鱼人二代同名小说改编，由张修诚执导，李宗霖，黄一琳，陈雅丽，熊玉婷，王姿允，陆怡旋，黄心娣等主演的青春网络剧。
曾混迹黑社会的印度裔男子维路出狱后，一心过回正常人生活，可惜人在江湖，身不由己。他最疼爱的弟弟跟随当年好友混入黑道；曾经的老大黑摩利据说也返回香港，图谋杀害机动部队陈督察；警官肥棠（林雪饰）则隔三差五找到维路了解线索。维路不胜其扰，却又无可奈何。另一方面，香港油尖旺鱼龙混杂，各方势力暗流涌动。森（任达华饰）和May（邵美琪饰）所率领的机动部队一面要平息黑道势力的争斗，同时还要四处追查黑摩利雇用的刀手。最终形势将朝何方发展？
一次机器事故让咸阳市淳化县年轻的小伙儿刘文武突然失去双臂，面对迷茫、彷徨、生与死的挣扎，在各级帮扶干部与当地党委政府的精准帮扶下，身残志坚的他，坚强面对人生，克服重重困难，创建专业养殖合作社，脱贫致富不忘本，知党恩，感党恩，报党恩，跟党走，带领身边贫困群众脱贫致富的感人故事。
《洪学智黑河剿匪》，讲述黑龙江军区司令员洪学智在解放前夕，临危受命，深入虎穴，将盘踞在黑龙江黑河一带土匪山贼一网打尽的故事。洪学智将军1946年5月率领新四军3师特一团来到北安、黑河等地，凭借着卓越的指挥才能和丰富的战斗经验，在逊克县松树沟一带重创了当时黑河地区最大的土匪头子刘光才的部队，消灭了大部分土匪武装。后又率部沿黑龙江北上，解围呼玛、解放漠河，实现了我国北部边境的全面解放。在此期间，黑河中心县委改为黑河地委，洪学智将军兼任地委书记和军分区司令员。在短短的8个月时间里，他的足迹遍布北安、逊克、孙吴等地，率领剿匪部队转战南北。他注重队伍建设，重视政治宣传工作，对部队进行大型整顿和严格军事训练，并在当时地委副书记岳林的建议下，赞同并支持创办了《黑河报》，开辟了政治宣传阵地。在他的直接领导下，1946年8月8日，黑河成立了兆麟联立学校，选派了大量水平高、素质强的老同志、老干部出任校领导，使该校成为教育和培养革命骨干和基地干部的摇篮。局势稳定后，洪学智将军离开黑河。此后多年间，洪学智将军一直思念着黑河的人民，牵挂着黑河的建设与发展，重视和支持黑河的沿边开放工作。当洪老将军1992年重返黑河时，高兴地说，黑河变了，旧貌换新颜；他同时对黑河的建设发展提出了指导性建议。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
跟随两个喜欢玩乐和喝酒的朋友，直到一切都崩溃了。
故事发生在1930年的英国，于伊顿贵族学校就读的盖伊·班尼特（鲁伯特·艾弗雷特 Rupert Everett 饰）是个同性恋者，他的好友贾德（柯林·菲尔斯 Colin Firth 饰）是名共产主义者，对资本主义深恶痛绝，对学校规章制度更是不屑一顾。学校里的同性恋风气蔓延，一名叫马提诺的学生与另一名男同学发生关系时被发现，随后马提诺上吊自杀。此事给盖伊以及整个学院都造成了不小的影响。 不久后，盖伊爱上了同校的詹姆斯（加利·艾尔维斯 Cary Elwes 饰），两人常常在夜里约会。然而有一天事情败露，盖伊为了保护詹姆斯，而独自接受了鞭责，同时他的最高年级长的位置也被取代。严格的校规和保守的道德观使他对自己在英国的事业前途感到失望。二十年后，盖伊从英国外交部投奔共产主义国家苏联，成为“叛国"者，轰动英国朝野。 本片原为轰动英伦的舞台剧，取材自三十年代的真人...
主人公蒲原时子（蒲原トキコ）是以原作作者 Jane Su（ジェーン?スー）为原型的角色。20年前失去了母亲的她和父亲蒲原哲也曾经一度走到断绝关系的边缘，现在是久不久能见面聊天的关系。某天起，时子开始以父亲的故事为主题连载起散文来。为了收集更多的素材而和哲也见面的时子，关于父亲和母亲的相遇、父亲为何会散尽财产、以及其他女性的身影等等，并不全是愉快的记忆也逐渐复现。
一日，东京八十万禁军教头林冲，携娘子张贞娘去庙里进香。太尉高俅之子高衙内乘林冲不在，调戏贞娘。林冲赶到，见是高衙内，没敢作声。不久，高衙内设下圈套，将林冲发配沧州充军。林冲好友陆谦奉高俅之命，要在野猪林杀掉林冲，幸遇鲁智深相救。鲁智深劝林冲投奔梁山泊农民起义军，而林冲只想待刑满回乡......
1938年，住在北平城胡同的张老太太与四个儿子三个女儿过着安乐幸福的日子，但好没多久“卢沟桥事变”爆发，一家人被迫各奔东西。终于抗战胜利，儿女们陆续地从各地赶回家，一家人总算团圆了，可社会却越来越乱，日子越过越穷。张老太太不得不咬牙卖掉房子。儿女们又各自追求自己的理想去了，张家不知何时才能团圆。
本节目为百度 APP 出品的全国首档实境博弈实验节目。邀请11位参与者，在封闭的空间合宿，同时进行一场21天的大型博弈。他们将面对最能代表现实社会困境20个博弈模型任务，展现决策的智慧。 参与者想要获胜，必须要平衡个人和集体利益，寻求博弈任务的最优解，并在投票中淘汰对手。通过竞争与合作，完成所有挑战的人，最终将赢得神秘大奖。 节目将实境真人互动和博弈理论模型相结合，旨在普及博弈论和博弈思维知识，给观众带来知识学习的全新体验。