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  • 2019 5.0

    恋爱未遂

    《恋爱未遂》是一部讲述无数次告白但总是失败的青春单恋故事的网剧。姜蔚蓝(孙相渊饰)好像患有分离焦虑症,当周围没人在旁陪伴时,他就会感到不自在。他的人生目标是能找到一个可以无时无刻陪伴在身边的人。蔚蓝18岁时想要恋爱,但事情并不如他想象般发展,无数次告白总是以失败告终。这次他鼓起勇气向10年好友李诗源(杨惠智饰)表白,这段青涩恋情会如何发展?

  • 2009 1.0

    幸运星卢克

    法国家喻户晓同名漫画改编!喜剧专业户让·杜雅赫丹、梅尔维·珀波和凯撒影后西尔薇·泰斯图德三大巨星同台竞技,演绎西部浪漫又刺激的传奇故事.法2TF1收藏版 完整花絮 独家优质中文译制 OST.   剧情   影片讲述牛仔卢克闯荡美国西部偶遇神枪手杰西·詹姆斯、比利小子、灾难简(Calamity Jane)等西部名人,演绎了一段浪漫又刺激的传奇故事。这是法国著名漫画家勒内·戈西尼继小淘气尼古拉、高卢英雄阿斯特里克后创造的另一个漫画人物改编而成的电影,当这些漫画人物走向世界,他们的语言已深入法国人的日常生活中,就像“幸运星卢克”常说的那句“举枪的速度比他的影子还快”。   幕后花絮   《幸运星卢克》改编自法国著名漫画家勒内·戈西尼《高卢英雄大战凯撒王子》系列之外的另一代表作,讲述牛仔卢克闯荡美国西部偶遇神枪手杰西·詹姆斯、比利小子、灾难简(Calamity Jane)等西部名人的故事,由法国电视喜剧明星“男孩让”让·杜雅赫丹主演,帅哥梅尔维·珀波和凯撒影后西尔薇·泰斯图德分别扮演杰西·詹姆和灾难简。影片由新锐喜剧导演詹姆斯·胡特(《神奇手机》)执导,编剧更是由今年创下法国票房记录...

  • 2009 10.0

    异型终结2

    在天狼星6B 杀人机器屠杀人类事件的13年后, 某搜救小组接收到来自天狼星的讯号 , 这意味著多年后奇迹生还的人类? 还是变种的杀人机器演化为更恐怖的世代? 又或者是半人半械的混血物种要来完成消灭人类的大业?

  • 2017 6.0

    我的极品闺蜜

    阿梅、陆婉、小敏三位个性不同的东北女孩,合租在一间公寓。阿梅是一名私人诊所的男科医生,每天都在给一些奇形怪状的男人看病,与她同一家诊所的妇科男医生老云一直追求她。陆婉,长相甜美,典型的胸大无脑,嫁入豪门始终是她的奋斗目标。小敏,一名私人培训中心的跆拳道老师,女屌丝、女汉子的特点在她身上展现的淋漓尽致。小敏一直暗恋着与他同一家培训中心的音乐老师智贤,可是,智贤却喜欢阿梅。三个性格迥异的女孩在命运的捉弄下与老云、智贤、浩泽、波波四个男孩发生了有笑有泪、有吵有闹的故事。

  • 2022 5.0

    我家师父超凶哒·动态漫

    陆国国君身中剧毒,性命危在旦夕,消失5年的儿子陆尘强势归来,一改以往废柴的人设,摇身一变成为实力强横又多金的存在,只见他不费吹灰之力,拯救陆国于水火之中,动动手指便解除老爹身上的奇毒,究竟是什么让陆尘改头换面?听说是有好几个美女师父?

  • 2014 3.0

    漫画家与助手们

    本剧围绕着有妄想症、喜欢画女孩子内裤的漫画家爱徒勇气(松冈祯丞 配音),以及他的美女助手足须沙穗都(早见沙织 配音)、新人助手兼忠实粉丝风羽玲奈、超级助手黑井濑奈、还有他的责任编辑音砂见张,描绘了“变态”漫画家和美女助手们的后宫日常。爱徒勇气长着一张还算清秀的俊脸,可惜是个变态,因为想受到女性欢迎而成为漫画家,结果完全不是那么一回事。他非常喜欢在漫画作品里画内裤,还经常对助手们提出各种各样奇怪的要求,让她们感到困扰。不仅如此,他还喜欢偷懒,经常拖稿,给他的责任编辑也添了不少麻烦。美少女助手和超级助手,责任编辑以及美女主编逐一登场,爱徒勇气被她们围绕着,在一个美好的后宫环境下工作。

  • 1948 7.0

    欧洲的某个地方

    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 1958 5.0

    三个战友

    根据同名话剧改编。 广东省潮安县东桥乡支部书记、信用合作社主任周虹,晨虹农业社社长卢凤阳和晨虹农业社生产大队长黄瑞江,是老战友。在艰苦的岁月里,他们建立了战斗的友谊,1953年他们一起复员回到家乡,投入了农业建设。三年来卢凤阳把农业社办得不坏,被评为千斤丰产社,还被奖过大水牛,但他被办社的成绩冲昏了头脑,骄傲自满,自私自利,他留着冬瓜不卖,要看行市,国家贷款过期不还,还想再借。为了适应国家工业建设的需要,在农村展开了移民垦荒的运动,周虹和瑞江都报了名,但卢舍不得多年的战友离开自己,尤其是对得力的助手黄瑞江去垦荒,他更是不同意,并想尽办法加以阻挠。瑞江的妻子周惠英听信卢凤阳的话,不让瑞江去垦荒。周惠英的哥哥周虹也正与信用社会计秋妹恋爱着,周母担心儿子的婚事,舍不得儿子离开。经过秋妹的劝说,周惠英决定和爱人瑞江、哥哥周虹一道去垦荒。由于工作的需要,秋妹留...

  • 1992 9.0

    火腿,火腿

    希尔维娅(Penélope Cruz 佩内洛普•克鲁兹 饰)是西班牙某小镇上参逊内裤厂的缝纫女工,她与厂主的儿子乔西相恋,并怀有对方的孩子。优柔寡断的乔西发誓迎娶希尔维娅,却遭到母亲的强烈反对。为了拆散两人,乔西的母亲雇佣健美的内裤模特卢去勾引希尔维娅,与此同时自己也臣服于卢年轻健硕的雄性魅力之下。隐约感到女友移情别恋的乔西伤心非常,继而从希尔维娅的母亲那里得到慰籍。

  • 2022 10.0

    22-23赛季德甲第4轮 美因茨VS勒沃库森

    8月27日 22-23赛季德甲第4轮 美因茨VS勒沃库森

  • 2017 6.0

    彩色砂

    女主是一个时尚圈的职场宠儿,身边优秀美型的男子数不胜数,就如沙滩上的彩色的沙子,然而这些美丽的沙子却也让她焦头烂额....

  • 2017 4.0

    炸裂青春

    本片主要讲述了机电专业的大学生陈峰的笨拙懦弱,是学校的最不受欢迎学生,在一场意外下,和同样不受欢迎的女生梁欢欢成了好朋友。当大家都在嘲笑陈峰时,唯有梁欢欢坚信陈峰是一个不同寻常的人,并决定帮助陈峰找到自我。陈锋挑战校内富二代高星星,意外受伤掉进瀑布不醒人事。

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