上一部中，超级电脑“天网”阻止人类抵抗领袖约翰·康纳诞生的行动失败，时隔13年后，在“审判日”到来之前，“天网”派出了更加先进的生化机器人T-1000（罗伯特·帕特里克 饰）从公元2029年回到洛杉矶追杀已经长大的约翰，与此同时，约翰也派出了机器人T-800（阿诺· 施瓦辛格 饰）回去保护年幼的自己。 此时，萨拉·康纳（琳达·汉密尔顿 饰）因为怪异的言行而住进了精神疗养院，约翰则和养父母住在一起，行为叛逆。T-800找到他们，在逃避T-1000追杀过程中，获得了二人的信任。 为了改变未来的历史，挽救人类的命运，萨拉、约翰和T-800 Model 101找到了“天网”之父，迈尔斯·戴森（乔·莫顿 饰），说服他销毁一切有关“天网”的资料，此时，警察和T-1000同时赶来，他们陷入了多方争斗中。
The Pickering Commission concluded that a lone gunman killed US President Kegan in 1960, in Philadelphia. 19 years later a dying man confesses to be the real shooter hired to kill him. Kegan's brother and filthy rich father investigate.
科特兹是一家建于上个世纪的神秘酒店，原来的老板马奇（埃文·彼得斯 Evan Peters 饰）死于非命后酒店就染上了一层神秘色彩。如今的老板伯爵夫人（Lady Gaga 饰）与她的情人多诺万（马特·波莫 Matt Bomer 饰）似乎有着更不为人知的秘密。酒店的门店经理丽姿.泰勒（丹尼斯·欧哈拉 Denis O'Hare 饰）与艾瑞斯（凯西·贝茨 Kathy Bates 饰）似乎另有打算。看似平静的一切被一起连环凶杀案打破了，警察约翰（韦斯·本特利 Wes Bentley 饰）进入酒店进行调查，却发现
一个当红摇滚明星在他第二张专辑失败后，回到了他的家乡，并一步步从失败的泥沼中重新振作重回巅峰。
王静（朱璇 饰）是一家私立医院的高级眼科医师，自从丈夫车祸身亡，女儿也双目失明，一连串因筷仙引起的离奇血案在王静工作的医院陆续残忍发生，此时，王静的行为举止也变得异常怪异。同事葛健雄（周骏 饰）决定展开种种调查，终于发现除了王静之外，还有她刻意隐藏多年的惊天大秘密……
“SallyCarmichael”willshootinUtahthissummer.Gorhamwillportrayanauthorwhoisashamedtohavesecretlywrittenanincrediblypopularseriesofyoungadultromancenovelsthatchronicletheepiclovestorybetweenahumangirlandamerman—allunderthepenname,SallyCarmichael.WhenheisforcedtomeetatopboxofficestaraboutthemovieadaptationofaSallyCarmichaelbook,theauthor’scarefullybuiltlifeofanonymitystartscrumblingdownaroundhim.
一辆命案现场的大巴突现无人区，车上乘客集体失忆并接二连三离奇命丧于此，只剩一位8岁小女孩和五位她口中自称为都是“爸爸“的男人，车外等待他们的却是毁灭式的灾难环境和凶猛的怪兽，小女孩是否能和五位“爸爸“们顺利渡过难关……
一群在网路上相识的网友，相约要去野外露营，却因一场突如其来的意外被迫在森林裡一间废弃小木屋裡过夜。在看似已成废墟的小木屋内，他们无意间找到一台神秘的底片相机，竟发现这台相机可以预知他们的死亡惨样！随著一连串骇人听闻的灾难发生，当同伴们一一死去，剩下的人必须尽快解开相机之谜，却发现更惨不忍睹的死亡在迎接著他们……
本片讲述了主人公沈平为了减轻女友绢子的经济负担，到准备高考的小薇家中当家教，在与之相处中，两人的情感发生了微妙的变化。沈平面临着娟子与小薇，将做出选择会是怎样的……
老莫做了CT后得知自己脑部有肿瘤，儿女常年不在身边陪伴，他希望在活着 的时候完成几个最后的心愿。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
故事围绕一个一年级学生暗恋一个男人，直到有一天他有机会接近他 The story focuses on a first-year student secretly in love with a man until one day he has the opportunity to get close to him