一位小说家在无意中听到丈夫坦率地评价她的作品后,她们之间的婚姻关系便开始恶化。
未来,由于人类遭受了重大的浩劫,为数不多的人们从地上转而进入地下生活。这座庞大的地下城市最初的设计仅能维持200年的运作,城市里面只有灯光作为唯一的照明工具。不过,随着时间的推移,200年很快就将到来,城市核心的设计寿命也即将到来。城市里停电的次数越来越多,眼见赖以生存的光芒即将消失在这微光城市里。作为好朋友的莉娜(西尔莎·罗南 Saoirse Ronan 饰)和杜恩(哈里·崔德威 Harry Treadaway 饰)两人经常在微光城市里错中复杂的管道中嬉戏。一天,莉娜发现了一份古老的文件,上面记载着如何走出微光城市。眼见微光城市的灯光即将熄灭,在这城市之外到底有什么秘密?是否是一片光明?莉娜和杜恩决定沿着这份古老文件的指引,走出城市,快去看看外面的世界,以此来拯救即将熄灭的城市。
艾莉丝(西尔莎·罗南 Saoirse Ronan 饰)离开了故乡,离开了母亲和姐姐,前往美国寻找更多的机会和更广阔的未来。在神父弗雷德(吉姆·布劳德本特 Jim Broadbent 饰)的帮助下,艾莉丝成为了一名售货员,出色的表现和不懈的努力让她成功获得了主管弗蒂尼(杰西卡·派尔 Jessica Paré 饰)的认可和肯定。之后,艾莉丝结识了名为托尼(艾莫里·科恩 Emory Cohen 饰)男孩,两人之间碰擦出了爱情的火花。 一场意外让艾莉丝重回故乡,很快,母亲的种种举动使她察觉,母亲希望自己留在这里,留在她的身边。在母亲的介绍之下,艾莉丝结识了善良的吉姆(多姆纳尔·格里森 Domhnall Gleeson 饰),并且得到了一个很好的工作机会,站在人生的十字路口前,艾莉丝会做出怎样的选择?©豆瓣
来自西卡利耶拉的女钢琴师.利用亲善义演机会来日本委托城市猎人猎鹰寻找亲生父亲。却意外地卷入一项可怕的情报战当中,却也因此遇上她一心想找到的父亲,没想到父亲就是地方的情报员,然而她最想知道的是父亲当年离开母亲的原因,最后阿獠及阿香给了她及父亲想要的答案.......
拉扎罗(阿德里亚诺·塔尔迪奥洛饰)是一位内心单纯的年轻农民,坦克雷迪(卢卡·奇科瓦尼饰)则是一位骄横的年轻贵族。他在Inviolata这座与世隔绝的小城内生活,这个城镇则由侯爵夫人阿诺西纳·德·卢娜(尼可莱塔·布拉斯基饰)所统治。年轻的农民和年轻的贵族相遇并成为好友。某天,坦克雷迪自导自演了一场绑架戏码,希望骗到母亲的赎金,不料最终引来了警察……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
大毒枭文华(陈豪饰)掌控全港过半以上的毒品生意,为了打击这名头号毒枭,毒品调查科安插行动组卧底叶浩天(萧正楠饰)在华身边,最终华被最信任的天出卖而被捕。 从此,天失去了情感、恐惧和同情心,甚至对爱人丁若宁(张?雯饰)也失去了爱的感觉。在同僚眼中,天是一名不合群的怪咖,终日埋首于失踪人口调查科工作。而华入狱后一直要求单独囚禁,希望能安静地看书。 12年后,华接受网台记者林可儿(张宝儿饰)采访,言谈间为过往的所作所为后悔不已。华被证实患上末期肺癌,特区政府基于人道理由让华假释。此时,一宗杀警案的矛头直指刚出狱的华,宁要求最了解华的天重返毒品调查科。华找来哑巴徐安乐(何广沛饰)替他处理网上毒品经销,再找来旧爱章琳(胡定欣饰)助他透过股票市场洗黑钱。华希望利用有限的时间来建构他的新世界
“武松打虎”的传统戏码每天都在小剧场上演,“机械萌虎”扮演者李多多却不甘于每日循规蹈矩,一心想成为功夫明星。在小剧场演出的空闲时间,他穿梭在各个片场,为梦想加倍努力。通过他的不懈坚持,李多多的才华终于得到了大家的认可,却在无意间发现惊天黑幕,令曾经也是功夫巨星的父亲深陷危机。为了正义与亲情,李多多与他曾经的伙伴“机械萌虎”再次合体,变身“萌虎特工”,向独裁者发起终极挑战。
反派的崛起交叉骨
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