由《赛博朋克2077：往日之影》为您呈现的第七届Fastlane将于东部时间10月7日晚8点(北京时间10月8日早8点，垫场秀于7点开始)在印第安纳州印第安纳波利斯市的甘布里吉体育馆(Gainbridge Fieldhouse)举行！
少女与家人在岛上共度圣诞假日，不料却被古老的恶势力处处尾随。家庭旅行随之演变成了可怕的噩梦。
讲述的是宅男王凯撸管猝死后来到天堂中转站,进入天界网咖,私闯网咖禁地。在无意中摧毁了天界直播系统,阴差阳错重返人间,落地点恰好是他的高冷女上司——安迪的浴室,并在无意间看到了安迪正在洗浴的背影。因系统故障的原因,王凯在人间的生活不能离开安迪超过7.2米,否则会产生一系列怪异举动,甚至可能从此消失。为了在系统恢复后能安然无恙的回到天堂,王凯迫不得已对安迪展开了各种死皮赖脸,穷追猛打式的追求,以求留在她身边。
神秘工厂深夜突发离奇案件，一名员工离奇惨死，人人都传是不知名异兽所为，一时间案件变得神乎其神。国际知名灵异侦探社接到被害人家属的委托，介入此案调查，却被一系列假线索误导，将凶手锁定在厂长身上，然而厂长在不恰当的时机自杀，使得案情更加扑朔迷离。厂长死后，其女儿光子将侦探社社长何生告上法庭，导致侦探社陷入信誉危机。 预感到此事的复杂程度后，何生派出保镖风泽和电脑高手小弥调查涉事工厂，发现厂长死于谋杀，并将调查对象锁定在了工厂的技术顾问长谷川身上。调查证实长谷川的真实身份是日本的通缉犯，并且与流浪汉失踪案有关。与此同时，光子放下了对何生的偏见，与他一同调查案件。 何生等人深入敌穴，发现工厂的真实面目是一个大型生物实验室，并且和一个国际组织有牵连，异兽杀人的谜底呼之欲出。但是长谷川在关键时刻叛变，指出幕后主使另有其人。长谷川为何受人指使，究竟谁才是唯恐天下不乱的“神秘人”？
多媒体企划《テクノロイド》始动PV链接：https://www.bilibili.com/video/BV1V34y1Z7Xm上松範康、RUCCA、ElementsGarden担当原案的多媒体企划《テクノロイド》始动，动画制作由动画工房负责，游戏开发由WonderPlanet负责，目标是2022年的游戏发行和动画播出。浦和希、渋谷慧、峯田大夢、kayto、古川慎、萩谷慧悟、梶原岳人、榎木淳弥、大塚剛央、杉林晟人、仲村宗悟将参演该企划。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
莎拉（雪莉·麦克雷恩 Shirley MacLaine 饰）是一名修女，正在孤身一人独自前往美国西部的旅途之中。途中，莎拉不幸遇到了三名劫匪企图对她不利，在性命攸关的紧急时刻，牛仔霍根（克林特·伊斯特伍德 Clint Eastwood 饰）现身将莎拉解救于水火之中。 惊魂未定的莎拉决定雇佣霍根当自己的保镖护送自己抵达目的地，但相对的，她必须向霍根出卖法国军队驻地的内部情报，这正是霍根一直想要得到的消息。刚开始互相看不顺眼的两人，在漫长而又孤独的旅途中渐渐靠近，让霍根百思不得其解的是，莎拉身为一名修女，却完全没有神职人员的自觉，她喝酒、抽烟、讲脏话，百无禁忌，这种表里不一的神秘逐渐转变成为了一股强大的吸引力。
讲述了一群热爱美食的年轻人，在用心钻研红楼菜的过程中遭遇重重困难，最终排除万难从中获得成长的故事。本剧描绘了几个年轻人在实现梦想和获得爱情的同时，如何将中华传统美食完美的呈现在大众面前，使更多的人能够品尝和了解到拥有悠久文化历史的红楼菜，关注中国传统饮食和历史文化。美食爱好者沈璐与江南知名红楼菜馆传承人林棣之间曲折的爱情故事为主线，以美食的开发、创新和餐饮行业的竞争为辅线，生动展现了当代年轻人追求爱情，实现梦想的勇气和决心。林棣在与沈璐的交往过程中，由猜疑转为扶持，从对手变为恋人。两人以红楼美食结缘，在共同努力拼搏下而构建了一场精彩的故事。
十年前，穆卫国被特工组织，赤龙会绑架，进行灵魂交换，但在仪式中却发生了意外，导致换入穆卫国体内的灵魂受到了严重的伤害，从此变成了一个痴呆十年后，穆卫国的女儿，穆思思，与丈夫陈洛决定在结婚两年后补一个蜜月旅行，却在蜜月途中误入另一个特工组织六合会的祭祀场所，两人被灵魂交换。拥有了丈夫身体的穆思思从六合会的手中逃了出来，遇到了丈夫陈洛的同事兼好友沈鸢，发现自己丈夫原来是一名特工，而沈鸢则是丈夫执行任务时的搭档！为了救出陈洛，穆思思开始在沈鸢的特训下强大自己，两人带上赤龙会的后援，杀入了六合会总部，最终赤龙会抓走了六合会的大祭司，而穆思思也成功解救了自己的丈夫陈洛。
波斯顿最高海军“Ivy League”出身的旗鱼“派”并没有其他鱼儿相象中的威猛，反而只是一条外表平庸的小鱼，因为在一次不幸的意外事故中失去了双亲，伤心的他决定离开故地，只身前往加勒比海岸，然而他却不知道，危险就在那边等着他…… 派与其他的鱼不同，他有着极为敏感的内心世界，不过却十分单纯，不懂海洋里的人情世故，未知的加勒比显得那样的陌生。不过初来咋到的他却认识了超级模特“Cordelia”，两鱼一见钟情，不过问题来了，一直对Cordelia虎视耽耽的shark是加勒比一带有名的混混，霸道异常，他怎么能放过这个不知道从哪里冒出来的情敌呢，派当然希望能够以温和的方式解决问题，不过，他也做好了最坏的打算，即使动武，自己也不能后推，毕竟自己是条好鱼，不过……对方叫什么来着？“Shark”？等等，对方不会是鲨鱼吧。 派的猜测完全无误，对方就...