暂无简介
地产富豪之子马超仁（陶大宇）不想依附豪门，到寿司店当学徒。仁遇上情场杀手高级（陈百祥）、狄立（林晓峰）及毛仔（葛民辉），看中了竞选特区小姐的阿菲、Money、苏娜与Fancy，而一班公子哥儿亦对四美起心。四人为夺美人归，使出混身解数，一场追女大战由此展开……
1937年，日军攻打山东，韩复渠部队撤离，山东部分沦陷为日占区，形势岌岌可危。1937年底，中共派共产党员杨毅明前往日占区山东徂徕，秘密发动武装起义，日军命特高科组长藤田修对起义进行破坏。杨毅明代号“下山虎”与泰安当地同志周望文接头。不料接头失败，周望文被日军捕获。杨毅明失去了联系上组织的方法。此时，国军第七十四师上尉连长常誉以为杨毅明是骗子，将其抓获。周望文行刑时间临近，同时被执行死刑的人员还有国军七十四师军人杨清泉，为了救人，杨毅明表明身份与常誉合作，劫了法场、杀了不少日寇。两人建立了深厚的抗日友谊。随后，我方将根据地设置在徂徕山野人洞。不料，根据地很快暴露，并且遭到日军围剿，我方损失惨重。在之后的会议上，不少人认为是我们队伍里出了内奸，否则不会日军如此之快能找到野人洞。常誉一行感觉受到怀疑，离开杨毅明部队。为了找出为日军通风报信的内奸，杨毅明设计让其现身......该剧情跌宕起伏，前有敌我交锋，后有民众困难与内部矛盾，但几经磨难，影响全国的武装起义终于打响。
生长于政治世家的赤场帝一（菅田将晖饰），从小就以当上日本总理为目标，为了建立自己的王国，他必须在孕育出多位政治领袖，人称「超精英学校」的海帝高校展露头角，只有当过海帝高校学生会长的人，未来才有机会角逐总理的宝座。「我一定打败所有竞争对手，站在顶点！为此我会不择手段！」比谁都早开始计划的帝一，将要面对意想不到的陷阱和试炼！斗个你死我活的学生会长选举战争即将华丽展开！
Ajay Mehra（从以前的ghayal-1990），完成了他的终身监禁后，开始有报纸称satyakam。还应对困扰的创伤失去他的亲人，阿杰设法调查新闻为自己做出可信的名字。一个奇怪的团队RTI活动家，前罪犯和同类；和发掘和呈现真相，甚至陌生人的方式，Ajay Mehra赚了不少粉丝之间的年轻人，他发现他的无畏和无情的方式处理各种反社会非常鼓舞人心。在他的铁杆球迷中，这四个年轻人曾在他身上获得过勇敢勋章。这四个朋友一次在摄影上探险，意外地记录了一个关于相机的谋杀案。这片段的结果是爆炸性的，因为它清楚地显示了这两个城市中最有权势的人参与了这项谋杀案。好了，这是一系列的转折和转折，这四个孩子得到纠缠，并要打出来，发生了什么事…
（鲁）网影审字（2022）第004号，青岛有头脑文化传媒有限公司
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
何杰嫁给贤啊。他认为妻子和女朋友是不同的东西，拒绝和贤啊上床。虽然她心烦意乱，但为了他的财富，她一直坚持与主人在一起，但她仍然感到内心空虚。我
美国亚利桑那州矿业小镇繁荣镇，一辆运送化学原料的卡车发生事故，将有毒废料倾倒进当地河流。镇上养蛛人的上千蜘蛛被污染，变得体积庞大，成批进入废弃的矿井栖息繁殖。小镇警长珊姆•帕克（卡瑞•伍尔Kari Wührer饰）的儿子迈克（史考特•泰拉 Scott Terra 饰）发现了巨大的蜘蛛腿，怀疑养蛛人遇害，但母亲珊姆却不听儿子解释。镇上矿主的儿子克里斯•麦克康莫克（大卫•阿奎特David Arquette饰）在镇议会上归来，反对镇长出售矿井的建议。克里斯对珊姆余情未了，却没勇气向佳人表明心迹。迈克将巨型蛛腿展示给克里斯看，后者依然将信将疑。与此同时，矿井里的巨大蜘蛛开始攻击镇上动物，然后是人类。通讯系统也被“八脚怪”破坏，全镇人的生命危在旦夕……
经历了严苛的考验，笠原郁（荣仓奈奈 饰）逐渐成长为一名优秀的图书队特遣队队员。而在小田原图书馆守卫战之后，她似乎终于发现，多年来始终念兹在兹的王子殿下正是那位经常摆着一张臭脸的教官堂上笃（冈田准一 饰）。某天，郁的父母意外来访，她手忙脚乱，因为她始终未将自己真正的工作告诉他们。因病失聪的女孩中泽毬江（土屋太凤 饰）多年来一直暗恋大哥哥一样的小牧干久（田中圭 饰），可谁知小牧被良化队指控向残疾人传播了有害身心健康的书籍而遭到被捕。另一方面，名叫朝比奈修二（中村苍 饰）的博物馆研究员接近柴崎麻子（栗山千明 饰），他和善的笑容背后另有企图。手塚光（福士苍汰 饰）接二连三接到神秘电话，来电者掌握着图书队未来的命运……
曹警司（曹达华 饰）为了使过气黑帮头子戴哥大（卢海鹏 饰）做警方污点证人，指证黑帮头子巫二器（王青 饰）的罪行，设计逼犀牛皮（冯淬帆 饰）、大生地（吴耀汉 饰）、花塔饼（苗乔伟饰）、罗汉果（曾志伟 饰）等四位有福星之称的私家侦探做卧底，曹又派他的女儿高级帮办Banan a（刘嘉玲 饰），应徵做女佣人暗中保护他们。 四福星入狱救出戴哥大，同往找他的女儿Mina，适值巫二器正欲迷奸她，他们把她救出，戴哥大感激四福星，答应做污点证人指证巫二器的罪恶，但给巫二器想尽一切办法开脱了罪名。 曹警司又安排Banana诈被巫杀死，激发起四福星替她报仇的斗志。片末，四福星和警方一起逮捕了巫二器，把他领导的匪帮全部消灭。