一名年轻的荷兰士兵被部署在荷兰的印度尼西亚殖民地镇压二战后的独立运动，当他加入越来越无情的指挥官精英小队时，他发现自己在责任和良心之间左右为难。
向往都市生活的少年竜之峰帝人受好友纪田正臣邀约离开家乡来到东京，随后，帝人进入东京池袋来良学园上学。正臣告诉他，在池袋生活有几个绝对不能招惹的人物，尤其是生性好斗的小混混平和岛静雄和经营着情报屋的折原临也这两个人。正臣还告诉他，池袋有一个奇妙的组织体系，正体不明，仅仅知道这个街头暴力组织名叫“Dollars”。然而，没想到上京的头一天，因为正臣的话而感到不安的帝人就亲眼目睹了骑着黑色摩托在街头穿行的都市传说“无头骑士”……
明朝，贵族学校才貌双全的女子黑凤（张柏芝）最大心愿是嫁给皇子成为皇妃，凭容貌及一流弹奏技艺，她赢得二皇子（安志杰）的倾心。某日，人称“一地鸡毛”的杀手盲侠（吴镇宇）欲行刺校长，但被清洁大婶发现，她本是名闻江湖的大侠“白龙”。两人大占数十回合，“白龙”不敌“一地鸡毛”受重伤，被黑凤救下。 “白侠”自知所剩时辰不多，不由分说将毕生所学传给黑凤，黑凤受到巨大冲击体内起异变，面部长出细小带白的脓疮，消解办法惟有行善积德。为了能以最完美面貌嫁给二皇子，黑凤开始身穿白衣面蒙黑布在城内内劫富济贫，渐渐被人以“飞侠小白龙”敬称。得知二皇子是“一地鸡毛”新的刺杀目标时，黑凤以“小白龙”身份向他提出挑战，却意外受伤，令黑凤意外的是，“一地鸡毛”并没将她杀死反贴心照料起。两人渐渐互生情愫。
“当宿命的转盘开始转动，当宅男漫画家遇到下界衰神，是天生一对，还是前世今生?”宅男漫画家陈蓦（傅汉源 饰）路遇软萌可爱的小萝莉静离（李梓 饰），在对方的死缠之下带回了这个意外的“同居”室友，从此开启了霉运不断的生活，而在终于了解到软萌衰神的真面目后，这对冤家的故事却更加波谲云诡起来……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
情节1：部长塔玛奇的家里，和下属职员Tory喝醉了。这是因为电铁断了，要睡一夜再走的情况。女儿也是cheng人，大家一起喝酒。Tomich喝醉酒早睡，只剩下橡子和女儿喝酒，开始了身体接触。而且，兴奋的两人三蓝的正史开始了。情节2：部长Kawase是下属职员Makoto，深夜醉酒到卡瓦税的家里喝两次酒。马科托因小便急促，进入了家里的卫生间的女儿的房间。对醉酒的他，女儿太迷人了，所以就手下留情。去女儿的房间分家的两个人。爸爸说这是秘密。情节3：上司美拉回家的约时诺。为了再喝一杯，在客厅喝酒，女儿玻璃出来介绍。对漂亮的玻璃一见钟情。当大学生的她接近她，在房间里自居的玻璃。以它为借口分享政事的两个人。
大卫是一个从小被修士养大的孤儿，现在十八岁的他即将毕业，同时他也爱上了同班的漂亮女孩史黛拉。在一次偶然的情况下，大卫不幸受伤，却意外发现了一个惊人的秘密。医生采集了他的血液样...
本片为程刚导演、辛汉白编剧，可谓早期的「监狱风云」。故事描述，香港在1953至1955年，曾被警方称为最黑暗的时期，那时候罪恶泛滥，百弊丛生，一日可发生三十二宗惊人案件，而犯罪份子有百分之四十是积犯；英廷特派专员来港调查监狱的措施，发现狱中不良份子，滥用权力，公报私仇，歪曲政府的监狱制度，造成犯人越变越黑，监狱变成地狱。影片主角江才（刘永）因不甘受探长侮辱，结果被控妨碍公务，判刑一年零八个月……
十五年前，倪小蛮（黄一琳 饰）7岁。父亲张胜利（于谦 饰）去香港奋斗，母亲倪玉兰独自抚养倪小蛮成长。十五年后，倪小蛮是一名可爱又毛躁的狗仔，身边赖着一名对她一见钟情的大男孩-宋扬（汪东城 饰）。单亲的生活没有影响倪小蛮性格，反而在倪玉兰的教育下，倪小蛮变得乐观、坚强，懂事又孝顺。此时离家的张胜利则与年轻貌美女人莎莎（倪虹洁 饰）生活在香港摩天大厦顶层，婚姻美满，事业成功，堪称精品男人。 父亲的离开是倪小蛮心中的一根刺，早在7岁的时候，她就在心里发誓，从此没有父亲，当张胜利是陌生人。张胜利见到曾经被自己抛弃的女儿倪小蛮，企图弥补，却不料倪小蛮为他准备了一场空前绝后的坑爹游戏盛宴，并进行偷拍，原以为一次轻松的认亲成为张先生“悲剧”的开始。就在张胜利满以为事情圆满结束的时候，小蛮的坑爹游戏再次升级，并启动了终极坑爹模式，为了真正的认回女儿，张胜利开始认命且...
《×××，我们恋爱吧》作为一部恋爱养成游戏，以颜值逆天、性格迥异的男神NPC吸引了大量玩家。但随着“恋爱吧”游戏频现Bug，男神NPC不仅违背设定，甚至会伤害玩家，公司派遣维护员数次修改皆失败。粉丝弃坑，玩家怨声载道，公司决定彻底删除游戏的所有数据，晏微作为游戏的创始者不忍心“恋爱吧”就这样消失，决定亲自进入游戏寻找Bug……
离婚后恢复单身的纱和（上户彩饰）在海滨小镇的餐馆打工度日。一个偶然的机会，纱和与北野（斋藤工 饰）再次相遇，约定了不再见面的两人，在四目相对的那一瞬间感情被重新点燃。然而这段禁忌之恋很快被北野的妻子（伊藤步 饰）发现，并与二人产生了激烈的冲突。与此同时，餐厅老板杉崎（平山浩行 饰）的出现，也让四个人的情感走向更加扑朔迷离，一边是复燃的旧情，一边是“永不再相见”的约定，几个主人公的命运再次纠缠在一起。
New partner Sam Casey joins a grieving Ronnie to find out who shot Matt dead. Sam suspects an accomplice of the recently convicted Mark Ellis but the trail ultimately leads to Jamaal Clarkson,a youngster whose brother Kieran was murdered in 2003,though the police closed the case as a suicide. Jamaal believes they were not interested as Kieran was black and tells Ronnie he knows...