电影讲述了一群麻友无意中碰见贩毒“老大”，继而斗智斗勇的过程，期间还穿插了文物走私犯罪分子被警方抓获的小插曲。预计贺岁上映！
该片翻拍自2010年上映的日本动漫电影《意外的幸运签》，一缕无主幽魂，赫然发现自己附身在一名高中男生Min的尸首中，在外人眼里他是个医学奇迹，唯有这个「寄居灵魂」心知肚明，这是死神给他的考验，要他在100天内找出令明死去的真凶，否则他将永不超生！ 「寄居灵魂」用尽方法投入Min的世界，感受Min的亲情、友情及爱情，逐渐发现Min的死另有内情…
一场高端的私人珠宝拍卖会，吸引来了两路盗匪，一路是盗墓的土贼顾老根和吴得饭，一路是国际大盗David和Amy。被困在大厦电梯内的艾萌和谷莹莹，阴差阳错的联系上了消防队，飞豹中队的郝帅等人赶往大厦救援，与两路盗匪展开了一场略显荒诞、斗智斗勇的极限营救。在血与火的考验中，紧张刺激的智力博弈，郝帅及小队成员与人、与火、与天的斗争，正要迎来最为高潮的一幕……
欧提思（阿萨·巴特菲尔德AsaButterfield饰）是一位非常平凡的高中生，他既没有特别聪明，也没有特别英俊，要说他和同龄人唯一的不同，那就是他拥有一位研究性心理学的母亲简（吉莲·安德森GillianAnderson饰）。母亲的特殊职业令欧提思从小就成长在思想开放宽松的环境之中，母亲的耳濡目染让欧提思对床笫之事有着更深刻的思考，同时也带给了他诸多的困扰。在学校里，艾瑞克（舒提·盖特瓦NcutiGatwa饰）是欧提思最要好的朋友，而他似乎被校长的儿子亚当（康纳·斯温德尔ConnorSwindells饰）给盯上了，被处处针对。梅芙（艾玛·麦基EmmaMackey饰）是校园里的风云人物，人人都说她是人尽可夫的放荡女。这一天，梅芙找到了欧提思，提议在校园里开设性爱诊疗室，为同学们解决荷尔蒙过盛导致了种种心理问题，在金钱诱惑面前，欧提思入伙了。
重案Ⅵ组成员包括曾克强（李成儒饰）、季洁（王茜饰）、江汉（董勇饰）、白羚（高榕饰）和黄涛（张林饰），前三位在破案一线工作多年，后两位刚跨出警校大门。他们在局长（张潮）指示下，侦破了一起起凶杀、爆炸、投毒、绑架、抢劫、截肢……案件。但神勇冷面下，五人亦有柔情和心事。曾克强某次侦案时因迟来一步令队友被杀，发誓要抓到凶手却总不能如愿；季洁要与男友踏上红地毯前夕，发现他与妹妹有染；白羚和黄涛的侦案知识多来源于书本，实战经验的缺乏常令他们拖整队的后腿……而五人也因性情不一常有矛盾产生。但有案要侦时，五人又总能迅速调整状态，将缉凶视作第一。
一代影后叶真在颁奖典礼上意外穿越，本以为手里拿的是《穿越成不受宠的皇后却凭实力一路打脸走上人生巅峰》诸如此类的女主剧本，谁知人生如戏充满惊喜，跌一跤还会跟皇帝互换了身体！
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
Patrick 是一个年轻人，他父亲在远方经营着一个浴场，而他在一次交通事故中受伤陷入了昏迷状态。几年后，几个不同的人来到了他所在的医院：一个有野心的政治家和他的妻子，一个有投资商的儿子是个游泳明星，说话刻薄的男人，还有一个女人；这五个人同时到达住在不同房间，迎接他们的是医生的新助手 Lydia 和两只恶犬，狗的主人警告那个游泳明星 Davis 让他离开 在医院的一间封闭的病房里，躺在床上的 Patrick 被和三个昏迷的人帮在一起。医生究竟有什么邪恶的目的呢？客人们一个接一个的因为没有接受警告，而惹上了麻烦。那么 Patrick 是否是有知觉的呢？
小智（松本梨香 配音）一行人在海上遇见了危险的风暴，流落到了橘子群岛中的亚西亚岛上，这里即将举行热闹的大型庆典，而小智在意外之中遇见了庆典的圣女弗卢拉（平松晶子 配音）。弗卢拉选中了小智作为庆典的“指挥者”，他的任务是前往三圣岛，找到隐藏在岛上的玻璃球。只有集齐三颗玻璃球，才能够正式开启庆典。
杰克（小罗伯特·唐尼 Robert Downey Jr. 饰）仗着自己英俊的外表整日沉迷于美色之中并引以为傲。一次偶然中，杰克在酒吧中邂逅了名为兰迪（莫利·林沃德 Molly Ringwald 饰）的女孩，他深深的被这个自信又热情的姑娘所吸引，两人一拍即合相谈甚欢。然而次日，兰迪对杰克的态度却来了个一百八十度的大转弯，百思不得其解的杰克找到了兰迪的住所，才发现兰迪的父亲是一个赌鬼，背负的巨额债务。
瓦娃是一个7岁的傈僳族孩子，他对于姐姐娜香每天能和小伙伴一起溜索过江读书好生羡慕。妈妈坚持要娃娃等爸爸回来带着才可以溜索。可是在外打工的爸爸总也不回。终于，没能抵抗住来自对岸的诱惑，瓦娃独自偷偷溜索过江了，看到了心仪已久的学校！没想到，瓦娃溜索过江的秘密居然被第一次来家访的聂老师戳破了！是聂老师送来的那双红雨鞋把瓦娃留在了家里。\r他答应妈妈和姐姐：有了这双鞋，他就不再偷着溜索。\r第二天一早，懂事的瓦娃又把这双漂亮雨鞋还给了姐姐。\r日子就这样平静地过着。谁也想不到，因为赶着给弟弟送一双新鞋回来，姐姐娜香失手从溜索上坠落江中……
警探马特直接有效的办案方式让上峰多有不满，但他最近沾染了更大的麻烦：与马特关系密切的同事弗朗克涉嫌同毒枭合作虽然马特对弗朗克联系罪犯的举动有所耳闻，但并未过多涉身其中。弗朗克向马特透露自己的计划代号“钻石13”，并邀请经济困窘的马特加入，同时纪律检查部门开始监控马特的起居。不久弗朗克被人打死，由于弗朗克生前最后一通电话打给了马特，毒枭很快向他追索被弗朗克抢走的货款，被纪检部门停职的马特孤立无援，只能眼看身边的朋友先后遇害，在与毒枭周旋的过程中马特收到了新的线索，他发现弗朗克之死远没有想象的简单，一张警方高层犯罪的黑幕逐渐张开……