民国时期，神偷多只手（石天 饰）纵横天下，他的偷技高超，鲜逢敌手。更为难得的是，多只手是一个侠盗，专门做劫富济贫、惩恶扬善的义举。他还收养了七个无家可归的孤儿，和他们一起建立一个快乐的神仙窝。他还有个梦想，能早日攒够钱办孤儿院。 秃头警察包大鼻（麦嘉 饰）得罪了新来局长（午马 饰）的老丈人，被罚去抓多只手。两人你来我往，精彩过招，期间包大鼻也渐渐为多只手的义胆所感动，不忍将其逮捕，而多只手也不愿为难包大鼻，自愿束手就擒。这可急坏了神仙窝的七个孩子……
香港九龙区旺角混混阿杰（刘德华）做事利落重情义，颇有老大风范，为了照顾做事冲动又好面子的小弟乌蝇（张学友），他不停地在各种大小麻烦中周旋，甚至不惜为乌蝇与黑道狠角色（万梓良）结仇。 阿杰表妹阿娥（张曼玉）前来旺角看病暂住他家，两人慢慢互生情愫，但因为担心自己的身份最终会给阿娥带来伤害，阿杰选择了将心事埋藏。待阿杰明白真情抑压不住想对命运做番抵抗时，乌蝇却再次因好面子面临生命危险，于是一道友情与爱情必选其一的难题重又摆在阿杰面前。
罗伯特上校正在进行一次“城市肃清”行动。在法律之外，他独自单挑各种势力，从街头混混到高层政客。然而这种行动却越发激进，却造成了警局的困扰，罗伯特以前的士兵威廉姆斯决定联合当地警局，将一发不可收拾的罗伯特拉回正轨，绳之以法。
1997年回归前夕，多方势力矛盾激化，暴力事件频发。巨变当前，黑帮龙头林耀昌（任达华饰）对亲信阿骆（任贤齐饰）委以帮派重任。多重身份的阿骆在黑白边缘行走，一场除暴行动正悄然掀开反杀的序幕。
《中国司法》主要从纵向发展线索来描绘我国当代司法的历史景深,展现我国传统司法的得失,为我国司法的现代性和多年来司法机关奋发改革取得的辉煌业绩作一个写意与工笔兼具的画像,增强当代中国司法制度自信和司法历史传统的文化自信。精彩解读
科学探索也可以丰富有趣，节目组跑遍法国甚至全球，通过丰富有趣的实验，与医生、各行专家的探讨，结合生动的漫画揭秘大脑思维
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
女孩同意男友拍摄私密视频，却不料被男友传播网上；陌生男人主动接近和照顾失忆老人，看似好心却别有用意；网红酷爱分享个人生活，却不知泄露了秘密；网络算命大师声称可以预知未来，但自己命运早已被他人掌控…… 《我坦白》以真实新闻事件为原型，以纪实剧的形式，透过现实空间与虚拟空间两重维度，通过受害者和施害者双方的“坦白式”自述，讲述了互联网时代下偷拍、网络暴力、职场PUA、币圈传销、集资诈骗、杀猪盘、美容贷等12个具有前沿性的悬疑纪实故事，并邀请学者就相关法律问题做了解读。 揭开面具，袒露真相。他们的每一个坦白，都提供了一扇了解互联网时代下网络犯罪的窗口。
讲述安雅和五个朋友一起在旅途研究远古岩画，去深山探险，他们到了一个森林后发现有一些原始的野蛮动物，并且他们相继被被感染怪异病毒，变异成怪物去袭击同伴，在逃亡中，令人感到悬念重重，疑问种种！谁也不知道这到底是什么原因？谁也不知道哪里会发生恐怖和袭击，更没有人知道哪里才是安全的，幸存者在一个个的减少，他们可以逃出生天，绝处逢生吗？
《城堡岩》确定续订第二季！首季由比尔·斯卡斯加德、安德烈·霍兰等主演，迈克尔·乌彭达尔执导，J·J·艾布拉姆斯制片，根据史蒂芬·金同名小说改编。故围绕缅因州的某小镇展开，史蒂芬·金诸多小说中的诡异故事将悉数展现。
胖女郎珊因体型肥胖加上动作迟缓,打工屡次被辞退,影响她做人消极,缺乏自信心.珊认识另一身躯肥胖的麦包,他的性格却甚为乐观,时常鼓励珊,并且因为他积极和乐天的个性,使珊父去除顽固,与子女关系改善.珊与麦在一商场当便衣保安,追查炸弹勒索事,先是乌龙百出,正当面临被辞退时,二人发现线索,施展浑身解数,终联手勇擒劫匪!