每次案件结束后，金田一耕助（石坂浩二 饰）都要隐居休养一段时间，这次他决定赴美度假，临行前专门去吉野市拜别侦探小说家横沟正史（横沟正史 饰）。在小说家的推荐下，金田一前往当地的本条影楼拍摄护照照片。拍照之际，一名神秘美丽的女子（樱田淳子 饰）拜会影楼老板，请他夜间外出拍摄结婚照，而拍摄地点竟是位于医院坡曾发生过吊颈命案的不祥之屋。 当晚，影楼老板的儿子直吉（清水紘治 饰）到指定地点为那对甚为奇怪的新人拍照。次日，他接到那名神秘女子的电话，邀请他们再次前往拍照地。这一次金田一和直吉等人一同前往，却发现新郎的头颅被吊在房屋正中央，而身体不翼而飞。一起离奇命案慢慢揭开了藏在法眼家族背后的秘密……
本片中郑则士是一个品性善良的扒手，只偷取外地游客的钱财，且爱护家人，冯淬帆则是个好脾气而富有正义感的警察，这两个死对头的儿子，却是同校的好友，两人因而互相认识，且发现对方的优点。最后郑为了救母亲而打劫金饰店，冯在友情与职责之间经过一番选择下，还是把郑拘捕。
《奔跑吧第六季》是浙江卫视推出的运动综艺节目。
她觉得丈夫有些不对头，却又不知道是哪儿出了问题。一天晚上，她突然发现他根本不是她丈夫，他其实应该称之为“它”，因为他根本不是人类。“它”是一台智能机器人，是身为机器人工程师的丈夫的最新作品。由于丈夫斗胆打破了机器人三大定律，所以整个研究过程对外严格保密，那么最终阶段的人机相处测试只能交给最信任的她来完成。她万分崩溃却又无力抗争，只好尝试着和机器人相处一段时间。就在这怪异的相处之中，她从最初的抵触抗拒慢慢变成了依赖和欣赏，最后甚至对机器人产生了一种别样的感情。事情的发展太出乎意料，勃然大怒的丈夫想尽办法折磨惩罚她和机器人，并用极为冷酷的方法证明机器人根本就没有感情。她起初不相信，多次试探之后，却不得不接受残酷的现实。机器人确实没有感情，她所感受到了一切其实是程序生成的表面行为带来的假相。心灰意冷的她把机器人彻底尘封，丈夫也终于意识到自己的荒谬，向她表达了深深的忏悔。生活仿佛回归了当初的平静，可看似平静的她，嘴角却总挂着一丝难以察觉的笑容。一个酝酿许久的计划，正在按照她的设想慢慢推进着……
街派出所片警高丰年接管了一位因协从贩毒入狱现已减刑释放的女人冯淑英，帮她接手了一家荒废的汽修店并红火开张。为了让冯淑英重回家庭见到儿子，高丰年几次三番找到冯淑英的前夫和解两人关系，却被误会为别有所图……
What Nicholas (9) loves most is playing with his gang of middle school pals, The Invincibles. Adorable, yet mischievous, they have all sorts of adventures together and life could not be funnier. So when his dad gets promoted and announces that the family is relocating to the South of France, his world falls apart. Little Nicholas cannot live without his friends. But the pack has a plan to prevent this terrible relocation a treasure hunt.
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
收服十万年前的诸天大佬们为徒，并拯救她们，修复崩坏的时间线，高冷道尊带领女徒弟们的冒险旅程。
乔恩（多姆纳尔·格利森 Domhnall Gleeson 饰）是一个热爱音乐的年轻人，某天误打误撞加入了一支有点神经质的地下乐队，乐队的主唱兼灵魂人物是弗兰克（迈克尔·法斯宾德 Michael Fassbender 饰）——既是才华横溢的天才、又是终日戴着一个硕大头套的 怪人。乔恩跟着乐队到爱尔兰某个偏僻的小木屋里录制专辑，他们在此过上几近与世隔绝的生活。这一年来，乔恩一直私自将他们的生活以视频的形式发布在社交网络上。终于，乐队的奇特经历引起了某个音乐节主办方的关注，乔恩说服成员们远赴美国参加这个叫西南偏南（SXSW）的音乐节，藉此成名。 本片根据乔恩·强森的回忆录改编。片中的乐队领袖弗兰克以Chris Sievey为原型。Chris Sievey在七八十年代红极一时，他同时是个风趣演员，以喜剧形象“Frank Sidebottom”驰誉。在弗兰克身...
牛顿（陈赫 饰）是一位极其平凡的青年，大学毕业后进入公司工作，一年过去，依然混得不温不火，前途暗淡。牛顿暗恋着同事姚姚（姚星彤 饰），但他深知美丽火热的姚姚和默默无闻的自己并不属于同一个世界，况且姚姚已经有了帅气多金的男友，身无长技的牛顿完全没有实力与之抗衡。
Max Irons以主演加盟Audience Network直接预订10集的《秃鹰 Condor》，该剧根据1975年的政治惊悚片《秃鹰七十二小时 Three Days of the Condor》所改篇。Max Irons将饰演Joe Turner，该角在电影中由Robert Redford饰演。 剧集版由Jason Smilovic及Todd Katzberg执笔，讲述年轻的CIA分析员Joe Turner，他的理想主义在一个恐怖﹑天才﹑能威胁到数百万条人命的计划前受到考验。Joe Turner是个理想主义的千禧一代，他秘密加入CIA，希望能从内部改革。但是当办公室所有人都被职业杀手所杀后，他被迫离开象牙塔，并进入这场危险的战争中。如果要生存下去，他得做出过去从未想象过能做到的事，并且要理解到自己真正性格。