When three best friends sell their company to a millennial, they find themselves out of step and behind the times as they hilariously struggle to navigate a changing world of culture.
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
倒霉蛋叶可乐经营父亲留下来的茶铺，无意中卷入迷香大案，靠着超人嗅觉当上了巡城卫；嫌疑很快锁定到私自跑出宫的柒公主身上，叶可乐对其一见钟情，为了排除爱人嫌疑，叶可乐用灵敏的鼻子再次寻找线索，根据柒公主指引和帮助，竟意外揭开了一个惊天秘密...
肯·高登和他经验丰富的团队在这部剧集中进入一家专注于稀有收藏品业务的领先拍卖行，展开了惊险的行动。
改编自白先勇同名小说。该剧描述1945年，众人沉浸在抗战胜利的喜悦时，马上面临继起的国共内战，再次被战火无情催逼、生死两隔的动人情感。
苏苏在姥姥病重之际偶然发现了姥姥昔日的笔记本。为解其中的疑惑，她独自一人前往越南…… 边境小镇，苏苏与越南青年阿民不期而遇。于是一番算计、一番冲突、一番误会像团团迷雾扑塑而来。经过一番艰难曲折的磨难，善良、理解、宽容、沟通了苏苏与阿仲等人的心灵。在众多越南同胞的帮助下，苏苏终于得知了姥姥年轻时在河内开中药馆“无香堂”时与越南青年阿山的一段撕肝裂肺的爱情故事……更为震撼的是在这动人的爱情故事背后勾连出一位越南老人为了对友人与中国人的承诺苦苦守候了“无香堂”几十年的惊人之举。老人的行为深深地感动了中越两国人民。
24岁的埃伦总是很难完成她开始的工作，并最终决定获得她从未获得过的高中文凭。但要做到这一点，她必须假装自己16岁，这比她想象的要困难得多。
2019年，适逢中国共产党建党98周年，中华人民共和国成立70周年。在中宣部对外推广局的支持指导下，五洲传播中心、优酷网和国家地理频道联合出品了4K系列纪录片《做客中国——遇见美好生活》（HomestayChina）。该节目由五洲传播中心和英国子午线影视制作公司联合制作，共分为三集，每集45分钟。 立足对外讲述中国扶贫工作的生动故事，呈现中国精准脱贫攻坚战取得的显著成效和丰硕成果，《做客中国——遇见美好生活》以“精准扶贫”作为切入点，融入外国主持人共情参与的形式，尝试用国际视角解读、聚焦我国精准扶贫工作，用国际眼光来看中国精准扶贫的发展成就。