三木律师事务所的菜鸟黛真知子（新垣结衣 饰）为了帮一起谋杀案的当事人洗刷清白，在社长秘书泽地（小池荣子 饰）的指点下，找到了传奇律师古美门研介（堺雅人 饰）。古美门拥有极高的辩护才能，为了赢得胜利不惜...
陆雪妮（余男 饰）是一名日企的高管。最近，日本母亲的离世使她身心倍受打击，白天神情恍惚，夜里经常被骇人的梦魇惊醒。原来，母亲是战争留下的遗孤，多年来，雪妮一直和孤独的母亲及年幼的儿子步步（邵何之杰 饰）相依为命，身边除了一个可以信赖的律师（于谦 饰）外，她再没有可以说知心话的人。就在母亲的后事处理完结时，一个东北老太太的突然出现又在雪妮的心头打响惊雷，原来她才是自己的生身母亲，雪妮不得不接受这个严酷的现实，但五岁的儿子并不喜欢这个来自农村的老太太，一家人在磨合中相处着。为照顾母亲和儿子的感受，雪妮准备换一下目前的工作。在一次例行体检中，母子的血缘关系却发生了惊天大逆转......
时间是1979年，美国俄亥俄州一个平凡小镇。少年乔·兰布（乔尔·科特尼 Joel Courtney 饰）痛失母亲，生死悲痛让他久久地沉默。数月后，他应好朋友查尔斯（雷利·格里芬斯 Riley Griffiths 饰）的邀请，决定约上几个朋友一起用超8摄像机（8 mm）拍摄一部恐怖电影。当然令他下定决心的，是那个令她心仪的美丽女孩爱丽丝（艾丽·范宁 Elle Fanning 饰）也参与其中。在某个夜晚，爱丽丝驾驶父亲的汽车载着伙伴们来到火车站拍戏，谁知却目睹了一场极其惨烈的火车事故。 这起事故还只是一系列不寻常事件的开始，小镇上的人们相继离奇失踪，各种奇怪的事件也接连发生。少年们的摄像机记录关于这一切的秘密……
二战后的某个冬夜，在北海道的渡轮上，性格张扬的复员兵赤间（三船敏郎 Toshiro Mifune 饰）遇到了宅心仁厚的龟田（森雅之 Masayuki Mori 饰）。赤间被龟田的简单真挚打动，于是二人成了朋友，赤间对龟田讲述了自己的一段旧日恋情，博得了龟田的同情。在某商店的橱窗口，两人驻足停留，只为一幅女明星的画像。赤间觉得女人笑得灿烂而阳光，龟田却说从中看到了她的苦闷。龟田来到大野家寄宿，得知大野即将成婚。事实上，他真正爱的是新娘的妹妹绫子，但为了60万日元甘愿违心接受婚姻。绫子的性格直爽，爱憎分明，她通过大野托龟田传来的书信认清了对方的本质，转而对善良的龟田产生了好感。在大野夫妇上门认亲的时候，赤间意外邂逅了旧日恋人妙子（原节子 Setsuko Hara 饰），一场没有硝烟的情感战争从此打响……
山姆和杰德在Surfside镇寻找隐藏的宝藏——但他们可能不得不在麻烦冲上岸之前阻止它。影片根据金德威内尔（KimDwinell）的畅销图画小说系列改编。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
小男孩雨果（阿沙·巴特菲尔德 Asa Butterfield 饰）天生机械控。他寄宿巴黎火车站钟楼，偶尔会去玩具店偷些零件，用来修补父亲（裘德·洛 Jude Law 饰）留下的机器人。一次行窃，他被店主乔治•梅里埃（本·金斯利 Ben Kingsley 饰）当场抓获，因 忌惮带猎狗的巡警（萨莎·拜伦·科恩 Sacha Baron Cohen 饰）只得就范。乔治拿走了雨果父亲的遗物——一本机械手册，令他心急如焚，他尾随至乔治家中，结识了养女伊莎贝拉（科洛·莫瑞兹 Chloë Moretz 饰），他恳求她帮自己保住手册。而伊莎贝拉则觉得此事蹊跷，于是两人结伴探秘。修好的机器人作画的落款却显示乔治的名字，让他们疑心顿起。终于他们发现了乔治家中装满画作的神秘柜子，并在图书馆的电影书籍中发现了乔治的身世。一位知情人的显身，让他们的奇幻冒险更添神秘…… 本片根据布莱恩•瑟兹尼克的同名小说改编，是马丁•斯科塞斯的首部3D力作。
《沉默》改编自著名日本作家远藤周作的同名小说。故事发生在德川幕府时代禁教令下长崎附近的小村子，一个葡萄牙耶稣会的教士偷渡到日本传教，并调查恩师因遭受「穴吊」酷刑而宣誓弃教一事，因为这事在当时欧洲人的眼中，不只是个人的挫折，同时也是整个欧洲信仰、思想的耻辱和失败。在传教与寻访的过程中，信仰与反叛、圣洁与背德、强权与卑微、受难与恐惧、坚贞与隐忍、挣扎与超脱……所有的两难情境都面临了，逼迫着他对基督的信仰进行更深层且更现实的思索，最终，他彷佛也走过一趟恩师的心路历程，拥有自己对信仰的诠释与实践。
9月18日 22-23赛季德甲第7轮 柏林联合VS沃尔夫斯堡
城中发生一起银行抢劫案，包括警察署长水树瑛子（小西真奈美 饰）的数人被劫持为人质。山田叫来好友阿猿（市原隼人 饰），成功破解了银行后门的门锁，令防暴警察得以进入其中。虽然劫匪趁机逃跑，索性银行和人质都转危为安。此后不久，人质之一的真美子（比嘉爱未 饰）找到阿猿，她声称患有间歇性失忆症，以至于记不清金库的密码，希望阿猿能够出手相助。陶醉于对方的美貌，阿猿点头应允，没想到却惹了一身的麻烦。真美子所说的金库属于纵横黑白两道的头面人物富原藏（光石研 饰），真美子的背叛举动惹来富原追杀，也在警界引发了巨大的震动…… 本片根据芹泽直树的同名原作改编。
顶级发型设计师水岛直树（本木雅弘 饰）与恋人兼经纪人美帆（西田尚美 饰）前来上海为一场慈善表演工作。水岛才华惊人，虽然差点迟到，但还是出色地完成了工作。只是事业一帆风顺的他看起来闷闷不乐。与女友的感情出现问题更是他没有办法解决的。当他恍惚在上海街头闲逛时，发现自己身无分 文，习惯所有事情都是女友安排好的他不知道自己的酒店在哪里。 女出租车司机林夕一直暗恋冬冬（郭品超 饰），然而爱人要结婚了，新娘却不是自己，失落之情溢于言表。 在这个晚上，林夕的车撞倒了水岛，这两个语言不通的各怀心事的陌生人，开始了一段奇妙的旅程。