正在播放: 问心 | 第18集

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  • 2023 6.0
  • 2017 1.0

    爸爸好奇怪

    《爸爸好奇怪》讲述了在一生只知道工作和家庭的勤恳父亲卞汉秀和支持他的妻子罗英实以及充满个性的四兄妹的家庭中,因一名青年的突然闯入,并声称自己是这个家的儿子而发生的温暖搞笑故事。

  • 1994 10.0

    撕裂惊爆点

      服装业大亨本·奥古德被人绑架,侦探布莱恩·蒂龙带着好友乔治·瓦尔兹以及同事们展开营救行动。布莱恩怀疑本的妻子海伦·奥古德和弟弟大卫·奥古德有作案嫌疑。交赎金的当晚劫匪早有准备乔治·瓦尔兹殉职,本乘坐的车爆炸,化为灰烬。一怒之下,布莱恩离开警局在海边开了一家潜水用品商店。在那里他遇见了海伦。海伦家里接连发生奇怪的事情,只好向布莱恩求助,大卫来到海伦家想要杀掉海伦,然而死去多时的本突然出现,事情愈来愈错综复杂……

  • 2019 2.0

    成大器者

    韩国电影《成大器者》今日发布中字预告,主演:金海淑、孙湖竣、姜基栋、南宝拉,在全罗道的一座小岛上,住着顺玉(金海淑饰)和她的闯祸精儿子奇江(孙湖竣饰),“妈,您等着瞧好了,看看我会变成什么样”,离开家的奇江一心只想着成功,冲动鲁莽地开始了闯荡,最终却沦为罪犯,被宣判为死刑。不知道什么时候会死的奇江因不安和恐惧而选择了自暴自弃,却没想到收到了目不识丁的母亲寄来的人生第一封信...“不管世人如何辱骂你……我都爱你,我是你的妈妈”。4月18日上映~ 金海淑、孙浩俊主演韩国电影长大的家伙 公开海报并定档4月上映。影片讲述一直以来被报以期待却成为死刑犯的儿子和为了拯救儿子开始学习认字的母亲之间感动的故事。 转至:https://www.hanjutvn.com/dianying/11354.html

  • 2022 8.0

    处刑少女的生存之道

      故事讲述从异世界的日本而来的「迷途之人(迷い人)」,过去曾带来足以毁灭世界的灾厄,必须被秘密处刑。以处刑为生的「处刑人(处刑人)」メノウ,某日与日本少女アカリ相遇,却因为アカリ的某种特殊能力而处刑失败。メノウ为了寻找能确实杀死アカリ的方法,两人共同踏上了旅程,也逐渐改变两人之间的关系。                                                                      原作小说由佐藤真登撰写、ニリツ负责插画,2019年开始连载并获得第11回GA

  • 2020 1.0

    河朔迷云

    夜色笼罩,幽州节度使张伯靖仓皇逃跑,没想到从后面飞来一把剑……此事惊动朝廷,皇上命裴准去幽州一探究竟。同时,瘸腿牵马接到江湖令,邀请苏燕南和镜月去幽州找一个女人。江湖、藩镇纠葛在一起……

  • 2023 10.0
  • 2008 1.0

    希特勒完蛋了

      故事发生在二战时期的柏林,不过与人们通常的印象不同,电脑、网络、迪厅、摇滚乐、液晶电视充斥其中,德国军人摘下古板的面具,转而纵情声色,甚至连希特勒(Mikhail Krylov 饰)都变成一个脱线搞笑的小丑。                                                                      化名舒拉伯格的亚历山大•阿谢奇金(Pavel Derevyanko 饰)是一名成功打入纳粹党卫军情报部门的苏联间谍。他夜晚住在柏林郊区的豪华公寓中,与一众大波美女锻练枪法;白天则周旋于希特勒和纳粹高官之间,时刻准备窃取纳粹的重要情报。随着战况日渐激烈,双方的情报战到了关键时刻。苏联方面派来美丽的女间谍金娜(Anna Semenovich 饰)协助舒拉的工作。各种搞笑的事情接连发生……

  • 1919 2.0

    盲目的丈夫们

    Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

  • 2012 9.0

    海燕旅馆

    当年,藤堂幸男(地曳豪 饰)因抢劫、持械等罪名锒铛入狱,七年牢狱之灾后,经历了无数磨难的他重获自由。并辗转找到当初和他一起实施抢劫却临阵脱逃的浩平。幸男无心向已经建立了幸福家庭的浩平复仇,他希望能找到根本没到场的另外一名同伙洋次。在此之后,幸男来到一间清冷的酒吧,拜访了 狱友隆一的妻子。服刑期间,幸男突发高烧,隆一为了帮他求医而和狱警发生冲突,最终含恨死去。幸男与狱友正和(井浦新 饰)相约,活着走出大牢向剥夺了他们幸福的人展开复仇。不久,他来到位于海边的海鸥宾馆,那里的老板正是洋次,而他也遇到一名神秘的白衣女子……   本片根据船户与一同名原作改编。

  • 2019 6.0

    复仇者

    斯科特·阿金斯饰演的囚犯得到了监狱暂许出行的机会。他找准时机甩掉了监视警察,继续他的复仇之路,让仇人血债血偿。他也借此机会寻找多年前早已迷失的自我,实现自我救赎。

  • 2019 9.0

    德州长子第二季

    本剧根据Philipp Meyer的书改编,由Meyer、Lee Shipman和Brian McGreevy执笔编剧,通过一个德州家族几代人的传奇兴衰的血泪史展现了美国成为一个超级大国的诞生过程。   Pierce Brosnan饰演Eli,是McCullough家族如神一般存在的元老。他小的时候曾被绑架,在印第安人的科曼奇族部落被抚养长大,因此他也把科曼奇族 残暴的世界观用在了他的商业事务中。他出生在得克萨斯州宣布独立成为共和国的那一天,所以又被人叫做“德州长子”;可以说他是野性西部的“遗物”,不满德州不可阻挡的被驯化的过程,同时也对自己遗产的未来忧心忡忡。

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