如小熊从冬眠中醒来，我已开始爱上这样的一个你。」在图书馆里，Hyun Choi (Bae Du Na)发现书中留下这样的一句话，再看另一本书，也是冩著同一句话。到底是谁留下的字？不知不觉间，这句话已扣著Hyun Choi的心弦，她要找出那个静静留低这些话的人…… Hyun Choi是普通朝九晚五办公室上班一族，过去经常因为性格太倔强，多次遭男友们抛弃。当她决定要找出那个神秘留话人的时候，原来真正的爱情已在那一刻发生。 Yong Lee首次执导之作《Do you like spring bear?》，由Bae Du-na及前身为模特儿的Kim Nam-jin主演，清新演绎一段神秘浪漫的现代爱情。
贝欣（张艾嘉 饰）与文子洋（周华健 饰）是青梅竹马的情侣。因为“文化大革命”的缘故两人分隔两地，情谊未变但贝欣因为外婆的关系无奈下嫁到英国。她要帮助丈夫打理生意，仍遭到丈夫打骂，还要照顾残疾的继女叶帆（袁咏仪 饰）。因为交通意外使双腿残废的叶帆脾气十分暴躁，骂自己骂别人。不久，在贝欣的鼓励与关怀下，叶帆有了极大的好转。但丈夫沉迷赌博最终欠下巨债。贝欣决定与丈夫离婚，带着叶凡回香港生活。回港不久贝欣又遇上财产纠纷，正当她下嫁律师高骏（赵文瑄 饰）作为胜出官司的赌注时，初恋情人文子洋出现了，并为叶帆治愈了
一名前陆军上尉前往达利安，阻止他朋友的心上人嫁给另一个男人，而一场战斗悲剧带来的悲痛和创伤破坏了他的旅程。
根据斯蒂芬·金小说改编，某天女主角杰西和丈夫杰罗德到乡村别墅度假，丈夫突发奇想要玩一个疯狂的性游戏，结果心脏病突发死亡，而杰西则还被铐在床头不能动弹，面对杰罗德尸体被野狗一块块撕嚼，杰西必须想法脱身
上世纪初，一重要的同盟会成员遇刺，东南沿海一个与同盟会关系密切的神秘组织“极峰”立誓要使真相大白，为此派出了组织内四大天王之一，代号“铜驼”的武术家云鹏追拿刺宋案参与者杜正雄，云鹏一路追缉至塞外安乐镇，发现杜正雄已投奔在雄霸西北的祖大帅军营里，祖大帅威名赫赫，号称“无敌”，闻者丧胆。云鹏孤身闯入军营内与祖大帅斗智斗勇，并最终在黄金谷一决生死。
《国学小名士》是名校国学少年竞技节目。节目旨在激励青少年学习国学的热情，弘扬优秀的中国传统文化，全面展示青少年的精神风貌，提高对国学的认知水平。节目模式不单以答题定胜负，而是通过将国学知识与竞技相结合的方式让青少年对国学产生更大的兴趣。
某高校新学期开学，大一新生安澜（余心恬 饰）和引考港大失利而心情不好的朱静（陈美行 饰）、朱静爱八卦的高中同学李家钰（徐歉 饰）以及家境优渥的富二代大小姐杨盼盼（付曼 饰）住进了传说曾死过人的314宿舍。女孩们性格各异，价值取向不同，因此大吵小闹不断。未过多久，李家钰向室友们讲起了这座宿舍楼鲜为人知的可怕传闻，女孩们不禁变得疑神疑鬼。中元节将至，阴气弥漫。安澜接二连三看到诡异景象，而神经一向过于紧张的朱静似乎也正趋向崩溃边缘。 空无一人的走廊内，阴冷的脚步声正在逼近……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
生活在海边小镇的向洋表面上是一个平凡青年，实际上却是一条流落人间的人鱼，他从小被向三爷收养，一直渴望能够回归族群。人鱼一族有个秘密，那就是天生双性，唯有遇到真爱后才能固定性别。白天向洋是个不起眼的卖鱼小哥，晚上他却能化身为青春靓丽的萌妹。缘分捉弄，向洋的爱情大门一次性被两个人敲响，一个是小镇镇花陆佳佳，一个是纨绔富二代付尔岱，究竟向洋会被谁打动？固定何种性别？一场别开生面的爆笑追爱之旅即将开启……
温蒂（艾莉森·斯戴曼 Alison Steadman 饰）和丈夫安迪（吉姆·布劳德本特 Jim Broadbent 饰）结婚多年，两人育有两个女儿娜塔莉（克莱尔·斯金纳 Claire Skinner 饰）和尼古拉（简·霍洛克斯 Jane Horrocks 饰）。温蒂本分贤惠，操持着家中大大小小的事务，而安迪辛勤工作，希望有一天能够自立门户。
格萝妮娅是作恶多端的黑帮老大的女儿，被父亲安排进入娱乐圈当明星，无奈星路失败，过着行尸走肉般的生活。父亲为了在激烈的帮派斗争中巩固自己的黑帮地位，自作主张将女儿嫁给自己最大的威胁对象菲奥纳，不料女儿却有一个疯狂的计划。
总能吸引所有人目光的律师黛安，才貌双全，个性鲜明又有幽默感刚离婚的黛安，正准备好要预见下一个真命天子。就是这么巧，亚历山大捡到黛安遗失的手机因此联系上她，仅在电话上，他们似乎就嗅到了恋爱的气息。黛安立刻被「听起来」幽默风趣、文质彬彬的亚历山大吸引，决定相约见面。黛安满怀期待赴约，却发现才「高」八斗的亚历山大竟然比一般人矮了一大截……