一名遇到写作瓶颈的畅销小说家雇佣了一个新保姆来照看她的孩子。随后，小说家开始分不清虚构与现实之间的界限。
性格直率又天真，给对方造成压力而不自知，始终处于“失恋”状态的职场OL梨衣子（相武紗季饰），某日意外地拥有了一个“理想男友”：奈特（速水もこみち饰），奈特是一款“恋爱型”机器人，不单在外形和性格上完全符合女性的择偶标准，还会全心全意付出，且永远不变心。可机器人毕竟是机器人，梨衣子无论如何都无法接受按程序机械地说话、做事的奈特，倒是在和表面吊儿郎当、实则具有雄韬伟略的室长创志（水嶋ヒロ饰）共同制作泡芙的过程中对创志暗生好感。奈特和室长，究竟谁才是梨衣子的理想男友？到底，爱的本质是什么呢？
在城市废墟寻找食物和庇护所，游荡了多年后，两兄妹找到了最后剩下的一幢建筑。在里面，有个怪人提出了一个危险的提议，以换取外部世界的生存。 各种被击穿，看到浑身颤抖。生的欲望，幻觉中的天堂，幻觉中的末世。南美嗑药系电影，估计是这两年来最能引起不适的电影。
网络大电影《作戏》将于6月7日在优酷独家上映。这部电影讲述了想进修表演的“草根”陈小军，为了赚钱追求梦想，而引发出的一系列事件。整部片子笑点不断，同时又恰到好处的穿插着其他不同情绪的引爆点，可谓全程无“尿点”，而充满讽刺意味的黑色幽默结局，也给观众们带来了很大的反转。
哈蕾（艾米莉·布朗宁 Emily Browning 饰）是一位小有名气的乐队主唱，成功的事业，幸福的婚姻，一对可爱又懂事的双胞胎，坐拥这一切的哈蕾无疑成为了朋友和同事们羡慕的对象，就连她自己也觉得受到了上天的眷顾。然而，不幸还是发生了，哈蕾的哥哥卡特（凯姆·吉甘戴 Cam Gigandet 饰）吸毒成瘾最终命丧黄泉，这件事情让哈蕾陷入了悲伤的深渊无法自拔。 就在
Thegreaterthecalm,thewilderthestorm.
罗希特（赫里尼克•罗斯汉 Hrithik Roshan 饰）是一个普通的不能再普通的男人，做着卑微的职业，拿着微薄的薪水。罗希特和叔叔婶婶以及表弟阿密特生活在一起，叔叔婶婶非常热爱音乐，这种热爱感染了罗希特，让他渐渐想要成为一名歌手。 一次偶然中，罗希特邂逅了名为索尼娅（阿米莎•帕泰拉 Ameesha Patel 饰）的美丽女子，两人一见钟情私定终身，实际上，索尼娅是衔着金汤匙出生的千金大小姐，为了能够成长为配得上她的男人，罗希特决定放手去追逐自己的音乐梦想。哪知道一场意外中，罗希特跌落海中下落不明，悲痛欲绝的索尼娅被父亲送往新西兰疗养，哪知道在那里，她竟然遇见了一个和罗希特长得一模一样的男人。
美国 ABC 电视台宣布续订逍遥法外第四季
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
南斯拉夫“黑浪潮”一代的经典作之一，柏林最佳导演金熊奖提名。