魔在魔界，神在天庭，人在人间。本是神鬼殊途，却为了那一线觊觎模糊三界的界限，引发连绵跌宕的搏杀。盛唐时节，某年的七月十五，恰逢千年不遇的升仙良日，西域重镇扈都之内鬼影幢幢，阴森可怖。当年的落拓书生钟馗（陈坤 饰）得到张道仙（赵文瑄 饰）的救助，从而成为扈都的守护者。他斩妖除魔，深入魔界获得魔灵，从而拉开了与魔界弘大的战争。在此过程中，钟馗意外重逢曾经令他魂牵梦绕的女孩——雪妖（李冰冰 饰）。身份截然对立的二人，却无法阻止爱意的滋生。神魔之战逐渐白热化， 身陷乱局中央并以捍卫人间为己任的钟馗，最终发现了令他难以置信的阴谋……
CBS一口气宣布续订6部正剧，包括《#国务卿女士# Madam Secretary》第6季。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
讲述了武当派张翠山之子张无忌无意中卷入屠龙刀而起的江湖纷争之中，因缘际会练就一身盖世武功，主要是明教和中原武林之争及起义军和腐朽朝廷之间的对抗。
初夏，在土耳其北部的一个村庄里，拉蕾和她的四个姐妹走在放学回家的路上，和男孩子们天真烂漫地打闹。然而这种行为却被当成了一桩不检点的丑闻，引发可怕的后果。家庭生活变成监狱，从此告别学校，而是为结婚做准备。五个姐妹都同样向往着自由，她们找到了一种突破这囚牢的方式。
故事发生在1940年代的香港，妙龄少女方兰（周迅 饰）和母亲（叶德娴 饰）一起过着相依为命的生活，两人将家中的二楼租住给了作家茅盾（郭涛 饰）和其太太孔德沚（蒋雯丽 饰）。方兰十分热爱茅盾的文字，在其中感受到了火热的革命热情和澎湃的民族气节，然而对于身边动荡的时局和紧张的政治氛围，方兰却知之甚少。 刘锦进（彭于晏 饰）是拥有着矫健身手的进步青年，受组织委托，他负责护送滞留在香港的一批重要文人返回大陆，茅盾一家人便在名单之列。在误打误撞之中，方兰被卷入了这一危险的行动之中，并在刘锦进的建议和鼓励之下，加入了革命队伍之中去，母女两人因此被卷入了历史的滚滚洪流之中。
在第二季中，Miles Daly继续在三种不同的生活方式中寻找平衡点：他想当一个真正的、事业有成的电影制片人，他想当一个对家庭尽职尽责的好男人，他也想保持自己的职业罪犯身份。他的搭档、时运不济的电影制片人Rick被迫充当联邦调查局的告密人并同意戴上窃听器为其收集情报，Miles在好莱坞所取得的所有进展都面临威胁。Rick也意识到，自己一方面和女毒枭Amara同床共枕，另一方面和试图缉捕她的联邦探员合作，这种事情不会有什么好结果。与此同时，Miles还要面对来自犯罪集团洗钱专家和一名好莱坞权力经纪人的挑战，后者是他遇到过的最危险、最难缠的对手。Miles和Rick的影片《上将的情妇》（The Admiral’s Mistress）将在2×02完成导演剪辑并与观众见面，Rick、Gladys和Yago将一同携这部影片参加圣芭芭拉电影节。Raymond C...
埃里克斯加入一个秘密的精英俱乐部“螺旋”中。他虽为新人，但却超乎寻常的赢得了猎杀追击，城市伞翼竞速等多项冒险比赛。这也让他的获得大笔奖金。此时，漂亮的女孩孩卡佳也与他不期而遇，二人迅速坠入爱河。春风得意的埃里克斯又迎来了一次寻宝比赛，他抽到的地点是一家银行，跳伞后他成功的潜入并制服保安，拿到标有游戏符号的两个袋子。正当他沉醉在成功的喜悦之中时，电视里播出了银行监控录像。他被指控抢劫。而接下来追逐就不再是游戏，直至他开的车从大桥坠入河中.......然而追杀没有终止。
这出背景设定在1970年代纽约的HBO全新戏剧影集， 由大导演马丁史柯西斯、滚石乐团主唱米克杰格及知名编剧兼制作人特伦斯温特连手打造。本片透过巴比康纳维尔所饰演的唱片公司总裁里奇范斯特拉之眼，在他努力不毁灭任何人的情况下，拯救公司和自身灵魂的过程中，看尽充斥着性与毒品的音乐产业的百态。
该片改编自网易云阅读同名小说,一次偶然机会，龙太子敖拜误会裘小虬是自己的新娘，两人展开了啼笑皆非的跨种族同居生活
大四女生乐淘淘经营着一家淘宝店，她苦心营销生怕自己的店出现差评，而眼见她的网店马上就要以无差评的良好记录升级到一颗钻的时候，一个“乌龙差评”却彻底打乱了她的计划乐淘淘用诚恳的语气向对方沟通了这个差评是一个误会，对方对这个结果表示接受，但要等送完快递，回家以后再取消差评。而性急的乐淘淘却等不了那么久，竟然根据线索寻找到了正在送快递的霍宇桐。