今兮几耘，明兮几收，山青水碧，绵绵复休。千年矣后，对酒无愁，来去之事，朦朦少忧。沧海易田，北斗相周，兮兮世尘，所待何求。即便是天堂般的安吉拉，也躲不过地震，也逃不过分离。而真正能让我们在灾难中勇敢下去的，是希望，是友爱，是我们自己的本心。所以呢忽悠之King米拉就这样肩负起了拯救世界的重任，与一只名叫乐乐熊的肥熊猫，爱跳hiphop的傻青蛙，梦想成为北京烤鸭的大鸭子，还有异常神秘的夏娜姐姐，一起开始了忽悠地震之King黑震天的历程。面对国际大忽悠级别的黑震天，他们能忽悠成功么？大鸭子能成为北京烤鸭么？传说中的天使到底是“天使”还是“天屎”？他们能躲过灾难么？米拉能保住忽悠之King的名号么？这一切的谜团，在不断的灾难之间，在离别与团聚之际，在友爱和希望之中，在今天和明天之隙，慢慢地揭晓开来。
本剧讲述的是两个无业大学生的故事。龙凤村近年来文运亨通，报考的学子们几乎全都接到了录取通知。家家吃喜，庆贺儿女们成龙成凤。就在这喜庆的暑期，大学毕业生叶青和她的男朋友周强由于找不到工作，灰溜溜地回到了村子。周强妈开着超市，手里有钱，拿出十万元托人给儿子安排工作。叶青爹妈为供女儿读书，已经花光了家里的全部积蓄。可好脸的叶青妈仍不甘心，打算卖掉承包地为女儿筹款。赵长平和叶青、周强从小学到高中一直是同班同学。高中毕业的他没上大学，四年间掌控了四十多垧土地，成了龙凤村最有实力的人物。他不忍心买叶家的地，借钱给了叶青妈。自强自立的叶青不肯背债，骗妈说她能托到人，把钱偷偷还给了赵长平。周强妈托的是有个局长舅舅的赵盼儿。盼儿看中了有大学文凭的周强，想借机追到他，虽然拿了钱，却一拖再拖。憨厚真诚的赵长平看老同学窝在家里难受，想帮他们一把。为发挥他们经济管理专业所长，给他们找了个做农业订单的项目。周强放不下架子，坚决不干。叶青百般劝说未果，只好一个人去干。在赵长平的全力协助下，订单拉来了，村民们也都涌跃签了单。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
该片讲述了陈少雄自幼兼母职，在乡间照顾父亲与妹妹，长大后性情孤僻，不懂与人交往。一天陈少雄在田间窥见一妇人喂哺幼儿的情景，性情因而改变，他在家中偷看妹妹洗澡，陈少雄父亲得悉，把他痛打一顿。陈少雄为满足性欲，在偏僻山间向单独上路的女子下手，先杀后奸。
一帮土匪带着劫来的保险箱到某小镇，迫铁匠韦明辉开箱，韦明辉却逃走报官。匪帮滥杀村民，毒打卖艺汉姚广，三名义士──陈登，方一飞和马刀闻讯，联手对抗众匪；饭店老板娘三娘子风骚美艳，色诱匪帮头目，计划来个里应外合。岂料，韦明辉竟误将路上遇到的土匪带回小镇，令歼敌计划横生枝节。
腐烂的暗红色西红柿，布满虫眼的破败芽叶。扭曲的陶土泥人，惊恐地发现自己被牢牢地捆绑在肮脏的床上。他的整个身体正在被无数溃烂的食物所覆盖、侵蚀。他浑身散发着恶臭，生满密密麻麻的蛆。可是无论他如何挣扎，都逃不出这病态的死循环。直到警车鸣笛打破了这场疯狂的宰割与蹂躏。画面停留在一杯白水之上，悄然而终。
耀辉（张天霖 饰）失踪后，小敏与恩恩（林依晨 饰）和文静（梁又琳 饰）一起来到了澎湖散心，在这里，小敏意外的邂逅了名为小武（陈宇凡 饰）的陌生男子。之后，小敏返回台北，得知妈妈要搬过来和她同住，还要在这里开一个咖啡馆，虽然百般的不情愿，但小敏只能无奈成为了妈妈的帮手。 一次偶然之中，小敏救下了一位溺水的女孩小雯（林立雯 饰），哪知道小雯非但不感谢小敏的救命之恩，两人之间还产生了许多矛盾。然而，当小敏了解到小雯的悲惨过去之后对她心生同情，两人不仅化解了误会，还成为了朋友。某日，小敏竟然意外的和小武重逢，得知后者和自己有着相似的经历，两颗孤独的心渐渐靠近，就在此时，耀辉忽然回到了小敏的身边。
Black Sabbath, Queen, The Stone Roses, Oasis, Coldplay, Simple Minds, Robert Plant and Manic Street Preachers are some of the greatest bands and musicians of our time, but what is the one thing these titans of music have in common? This film tells the unlikely tale of how two Welsh farming brothers turned their dairy farm into one of the most successful recording studios of all...
这是以成为顶尖偶像为目标，进行偶像活动的少女们的故事。学园里的顶尖偶像4人被称为S4，在偶像活动界里非常活跃！ 新生们都以成为S4为目标，努力进行偶像活动。 让闪烁的“偶像活动卡片”大发光芒！ 为了让自己大放异彩而亲自制作！ 率直地变得更加明亮！ 不论唱歌跳舞还是打扮！ 怀抱女孩们的所有向往，展开全新的偶像活动。 朝向偶像的最闪亮之星，迈向梦想的开端！！