Romantic entanglements are complicated by a unique silver cow creamer that is desired by both Bertie’s Uncle Thomas and his rival, Judge Sir Watkyn Bassett. Sir Watkyn purchases the creamer by telling the shopkeeper, falsely, that Thomas had sent him. Bertie’s Aunt Dahlia and friend "Stiffy" Byng both want him to steal the creamer for different reasons, but Judge Sir Watkyn has already sentenced him once (for stealing a bobby’s helmet) and he doesn’t want to go to jail.
表面上，罗杰（阿卡塞尔·亨涅 Aksel Hennie 饰）是一名成功的猎头，但他还有着另一个职业——艺术品大盗。罗杰和娇妻戴安娜（西诺薇·玛考迪·伦德 Synnøve Macody Lund 饰）住在一幢价值不菲的别墅中，戴安娜的画廊为罗杰的第二职业提供了得天独厚的信息网。一天，罗杰通过戴安娜认识了一名叫做柯勒斯（尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）的男子，他得知柯勒斯的家中藏有一张鲁本斯的画作，价值连城，正面临经济危机的罗杰动心了。画作轻松的得手了，可也就在同时，罗杰撞破了柯勒斯和妻子的私情大受打击，这还不是最糟糕的，本以为在现场没有留下丝毫线索的罗杰发现，危险正在渐渐逼近他和他的搭档，有一个人，正处心积虑的想要置他们于死地，一场惊天大逃亡展开了。而究竟是谁泄露了秘密？一时间，包括妻子在内，身边的每一个人都显得可疑起来。©豆瓣
讲述了基督教音乐明星杰里米·坎普的真实生活故事和他爱与失去的旅程，这似乎证明了永远都有希望。
出身普通的学霸张静美毕业后，一边面临着择业压力，一边稀里糊涂与霸道不羁的豪门少爷龙一领证结婚，过上了羡煞旁人“王子与公主的幸福生活”。然而，豪门生活和职场之路却没有想象中顺遂，现实的考验接二连三抛给这对新婚燕尔的小夫妻。当豪门少爷远离校园的象牙塔，开始踏进社会，与张静美共同迎接全新的考验时，一个接一个的难题都将等着他们去解答。
陈美丽（刘若英）和林美丽（曾静）生活在完全不同的两个世界，一个家住高层公寓，一个家在老旧瓦房，却都为青春心事或快乐或烦恼着。戏院的卖票工作令她们相识在“非请勿入”的售票亭后，她们的命运有了交叉，开始分享彼此的青春悲喜和成长隐密，并在孤单落寂被欢声笑语短暂取代时生出朦胧的情感。然而过往经历形成的不同个性不会因一夜温暖变得相同。清醒过后，只想记住此刻的美好的林美丽留下纸条选择离开，陈美丽则决定为两人难得的缘分和可能的幸福争取一把。
A chaotic intervention. An action packed stay in rehab. After a weird couple of years, John Mulaney comes out swinging in his return to the stage.
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
在朋友的推荐下，38岁的主人公松本吉吉出于好奇开始了匹配应用程序战战兢兢地看了看的应用程序中有很多不介意年龄差的年下帅哥!而且，女性会受到惊人的欢迎!?但是，遇到的对象中也出现了很多只以身体关系为目的的所谓“yarmoku”男人们。早早结了婚，没有什么男性经验的阿奇一边困惑，一边讴歌迟开的青春!不知不觉中沉浸在那个世界中…。她遇到的是与自己这一代差距太大的“现在的爱情观”，还有“四十岁女性特有的烦恼和孤独”……。
Amazon宣布续订Billy Bob Thornton主演的《#律界巨人# Goliath》第四兼最终季。
神秘陨石坠落冒险湾，赋予了汪汪队强大的超能力！然而陨石的坠落竟是汉丁那市长的粗心实验引来的。汉丁那市长对自己的失败并不满意，于是和他的侄子设计困住了汪汪队的队长莱德，并偷走了陨石，企图控制整个城市。他们的野心却出现了差错，小狗们必须齐心协力，灵活运用新技能——毛毛的威力热力，小砾的超级力量，天天的乘风翼——超能全开，拯救世界！
陈有财发现片场里有宝藏，遂准备设法驱赶看更员王守利及朱仔等离开，他发现这几个看更员多年前曾奸杀女演员邱慧贞，并在巡夜时看到过女鬼，于是陈有财和妻子便借此扮僵尸吓唬王等人，想迫使他们离开片场。不料又新来了一个叫莫锐的管理员，他亦是为宝藏而来，与陈有财夫妇展开争斗，人为财死鸟为食亡……