表面上看来，真宫樱（井上麻里奈配音）只是一介平平无奇的女高中生，然而，童年时代的特殊遭遇让她拥有了能够看见幽灵的特异功能，亦改变了她原本风平浪静的生活。一次偶然中，真宫樱遇见了名为六道轮回（石川界人配音）的少年，敏感的樱很快就发现了少年的半人半神的真实身份。原来，六道轮回拥有着一半的死神血统，因此而肩负着超度亡灵的重任，他的正直和善良吸引了樱的注意，两人联手，将一个又一个无法安息的亡魂送入了轮回之轮。随着时间的推移，樱渐渐发现，原来六道轮回的奶奶魂子（雪野五月配音）正是曾经救过自己性命的死神，而她特殊的命运早在那一刻就已经决定。
曾经号称“柔道小金刚”的司徒宝，曾是一名高手，如今放弃了柔道，已沦落成债务缠身、嗜赌酗酒的堕落混混 新一届的柔道冠军Tony慕名而来，直指司徒宝挑战，试图一较高下。宿敌辣手李阿刚（梁家辉饰）又因当年一场未完的比赛，也找上门来要和司徒宝决一雌雄。 结果Tony和司徒宝成为好友，台湾来的靓女小梦一心想当歌星，却险遭暗算，为实现理想屡吃尽苦头的也希望司徒宝能重燃斗志，但真正令其发愤的却是年迈师傅的战死。 到底是有什么隐痛让司徒宝自甘沉沦？重寻对柔道信心和热爱的他，是否能够打败对手？
Amanda Tapping饰演一位157岁的Helen Magnus博士，英国维多利亚时代皇家学院第一批女博士之一，她曾和开膛手杰克订婚并有了一个女儿Ashley。不过Ashley不知道他的父亲是杰克。Magnus博士父亲创立了一家神秘生物的庇护所，这些生物从全世界搜集而来。在研究这些生物的过程中，Magnus博士发现她获得了长寿。
儒生张于旦（黄国强 饰）偶遇狩猎的邑宰鲁公之女鲁飞飞（赵雪芹 饰），心生爱慕，不料鲁飞飞因杀生过多暴毙而亡。鲁公将女儿葬在张于旦寄读的萧寺内。是夜，张于旦在灵堂上香以表哀思，不一会儿席地睡去。夜深人静之时，一声声凄厉的惨叫从灵柩中传出，惊醒了沉睡中的张于旦。女道士进来告诉张于旦，如能为飞飞的鬼魂诵经万遍，方解飞飞在阴间刑罚，于旦闻言每日诵经不断。日复一日，飞飞终于显形于灵前，俩人诉说相思之苦。几年后，一个月黑风高之夜，黑白无常不期而至，拉走了沉醉在幸福中的飞飞，于旦如万箭穿心却无可奈何。土地爷（刘金山 饰）告诉于旦，是阎王爷让飞飞转世投胎去了，于旦闻听大喜...... 本片改编自《聊斋志异》中《鲁公女》章节。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
改编自1998年同名青年小说的影片《我世界的中心》于11月10日登陆德国院线。敏感十七岁学生菲利普与最要好的女伴卡特消磨了最后的假日，却在开学伊始被新来的、同样神秘而迷人的尼古拉斯吸引。电影以醒目视觉风格和精彩群体演出展现青春时代的初恋、友谊、家庭秘密和自我探寻的过程，将出柜同性主题极自然地融入其中。（豆瓣电影字幕翻译2.0小组）
一个关于夜总会结业前十天发生的故事……欢场姊妹花患难相扶持、鸭店男妓与易装人妖相依恋、舞厅妈妈生遇上同志大丈夫情海翻波、北姑勤奋向上衣锦还乡、女大学生锲而不舍争取娼权，还有一楼一凤、企街等不同性工作者的遭遇拼凑而成故事，以十日的时间绘出夜总会行业的夕阳之歌。
本片是受奥地利剧作家亚瑟·施尼茨勒的《轮舞》的启发，导演费尔南多·梅里尔斯和编剧将原著中摩登又不停变化的螺旋叙事整合成一个故事，通过剧中人物串联起来：他们来自不同的国家和城市，共同讲述在21世纪生动，充满悬念又感人至深的爱情传说。故事起自维也纳，影片美妙的将巴黎，伦敦，布拉迪斯拉发，里约，丹佛和菲尼克斯，不同城市的人们编织出一幅简单却又令人如痴如醉的叙述。
身陷囹圄的李问（郭富城 饰）被引渡回港，他原本隶属于一个的跨国假钞制贩组织。该组织曾犯下过多宗恶性案件，而首脑“画家”不仅始终逍遥法外，连真面目都没人知道。为了逼迫李问吐露“画家”真实身份，警方不惜用足以判死刑的假罪证使其就范。就在此时，富有的遗孀阮文（张静初 饰）申请保释李问，而警方提出的条件依然是“画家”的真面目。
一双绣花鞋，隐藏着一个死亡诅咒，凡是穿过绣花鞋的人都意外惨死，无一幸免安雯大病未愈，摆脱了丈夫潘航和医生的看护，独自逃回老家古宅生活。安雯在老宅发现了一双祖上流传并受到死亡诅咒的绣花鞋，阴差阳错之下绣花鞋穿在了她的脚上，意外开启了绣花鞋上的死亡诅咒。咒怨生效冤魂索命，盘桓在老宅之中的诡影无处不在，无法摆脱的恶灵如影随形，迫使频临崩溃的安雯做出疯狂的举动，陷入一场危机四伏的惊魂逃亡……
1940年，世界反法西斯战场进入最艰难时期。欧洲战场，纳粹军队闪击波兰后，连下荷兰、比利时和卢森堡、挪威。1940年6月14日，号称世界列强之一的法国投降，希特勒在凯旋门前阅兵，叫嚣将实施“海狮行动”，进攻英国。一直支持中国的苏联，为避免两面受敌，只能和日本签署满蒙边界停火协议。而在中国，正面战场上的国民党军队节节败退，为了抵抗日军的进攻，残酷的枣宜会战中，中将张自忠（邓超饰）以身殉国，江汉平原以至华中大部又落入日本人之手。中国陕北延安，在日军轰炸机频繁的轰炸下，毛主席（唐国强饰）、朱德（王伍福饰）等中共领导人为中国的前途命运忧心忡忡。他们决定在这个时候，共产党和所领导的八路军新四军要挺身而出，要打破亡国和投降的论调，要为世界反法西斯战场注入希望，要向侵犯中国的日军打下当头一棒。而远在山西敌后的八路军总部，副司令员彭德怀（陶泽如饰）和副参谋长左权（刘之冰饰）也在为如何执行中共中央的精神，打破日军的囚笼政策，而周密、细致、紧张地筹划、准备着……
清朝时，病重的皇帝不愿开刀治病，太傅奏少林寺一群小和尚中有转世小活佛，杀其取舍利子可以治病。觊觎皇位已久的五王爷趁机做乱，企图先抓到活佛要挟皇上。五王爷指使清兵血洗少林寺。方丈临终前托欣宜带领十八个小和尚和五岁的小女孩离开少林寺。欣宜带着孩子们忍饥挨饿还要躲避五王爷的追杀。路遇德荣，训练吃多了酒槽的孩子们打醉拳。最后，五王爷终于葬身火海，得到了应有的下场。